diff --git a/01-Unlikely_Encounter-Annie-intro.html b/01-Unlikely_Encounter-Annie-intro.html index 2cf30ba..58b121c 100644 --- a/01-Unlikely_Encounter-Annie-intro.html +++ b/01-Unlikely_Encounter-Annie-intro.html @@ -170,26 +170,28 @@ AgriWorks Login: █

She is greeted by the friendly voice of an old man.
- What's on your mind that you call now? + What's on your mind that you call + now? Note to self: Improve this, it doesn't sound right to me
- Uhhh...
+ Uhhh...
She makes a short pause.
- This might be a little bit weird but someone + This might be a little bit weird but someone contacted me from a location called "Cryo Facility 53". I wondered if you happen to know where that is. or anything about it
- Cryo Facility? Haven't heard anyone talk - about these in a while... Are you sure?
- Yes, it says here: Cryo Facility 53.
- What does he want? + Cryo Facility? Haven't heard anyone + talk about these in a while... Are you sure?
+ Yes, it says here: Cryo Facility 53. +
+ What does he want?

Annie relays what Jack had told her about his situation and asks who would be the right person to help him.
- That's a bit of a tricky question... These - cryogenics facilities are outside the dome. + That's a bit of a tricky question... + These cryogenics facilities are outside the dome.

Missing dialog here: @@ -338,8 +340,8 @@ ok thats good

- The light of day, Annie thinks to herself, - what does it look like? + The light of day, Annie thinks to + herself, what does it look like? reword this

@@ -364,10 +366,10 @@ Tue, 2106-06-01, 20:12 AgriWorks Login:

- Is that a yes or a no?, Annie wonders, + Is that a yes or a no?, Annie wonders, still slightly puzzled by the whole situation. She starts reading all that's still on the screen. - The light of day, she quietly says to + The light of day, she quietly says to herself.

diff --git a/02-Wake_Up-Jack_intro.html b/02-Wake_Up-Jack_intro.html index f1ec193..cf56bb5 100644 --- a/02-Wake_Up-Jack_intro.html +++ b/02-Wake_Up-Jack_intro.html @@ -2,14 +2,14 @@

Wake Up!

- Ahh fuck! Jack exclaims in pain as he wakes - up. He has a terrible headache. As he moves his hands up to hold his - head, he realizes that his entire body hurts.
- Owwowwowwowwoww... Ouch!
- Emergency defrost complete. Entering low power + Ahh fuck! Jack exclaims in pain as he + wakes up. He has a terrible headache. As he moves his hands up to hold + his head, he realizes that his entire body hurts.
+ Owwowwowwowwoww... Ouch!
+ Emergency defrost complete. Entering low power mode. announces an automated voice.
- He thinks to himself: Get it together, Jack! You - knew this was gonna happen. You have trained for this. Where are the + He thinks to himself: Get it together, Jack! + You knew this was gonna happen. You have trained for this. Where are the meds again? ...

@@ -36,15 +36,17 @@ – the usual Neotek equipment. He looks to the right: More preservation chambers. Instead of a wall, there's the bunker door – door is a bit of an understatement, it's a massive gate. - A small slither of light passes under it. These - fucking idiots... They didn't reseal it properly. + A small slither of light passes under it. + These fucking idiots... They didn't + reseal it properly. not sure if this is speech or a thought or both

He walks over to the door's control panel. The paint is flaking off revealing the rust underneath. Jack attempts to press a couple buttons - but they get stuck and nothing happens. Fuck. + but they get stuck and nothing happens. + Fuck. He turns back to the inside of the bunker looking for tools, contemplating the tradeoff between waking up a couple years too soon and getting slowly poisoned by the air, and being locked inside a bunker due @@ -57,10 +59,10 @@ few buttons to fully shut it down. The lamp in the ceiling turns off, the door closes, the status lights turn off. After passing two other empty preservaton chambers, he reaches the one that remains active.
- Hello Michelle.
+ Hello Michelle.
He checks the status lights of her chamber.
- I think I'm gonna leave you in there until I - find a way out of here. Should be fine...
+ I think I'm gonna leave you in there + until I find a way out of here. Should be fine...
He continues past the remaining empty chambers to the back of the bunker.

@@ -75,21 +77,22 @@ There needs to be a mention of him trying to turn on a lamp but it only flickers for a short moment. He leans over the desk with the terminal and flips the power switch. - Bonk! Seems to work, at least. While waiting - for the tube to warm up, he walks over to the rack and sits down + Bonk! Seems to work, at least. While + waiting for the tube to warm up, he walks over to the rack and sits down on the floor in front of it. He inspects the status lights. - CPU is idle, serials are idle, primary hard drive - is powered up – all good. Secondary hard drive is powered down, - let's change that... He pushes the power button and hears the - spindle spinning up. The power button blinks. There is some intermittent - rattling from the drive, probably a shot - bearing. It takes an unusually long time for it to get up to - speed. Impatiently sitting there, Jack waits for the drive to be ready. - Clicking form the mechanism unlocking the heads followed by a ringing - scratching noise. Of course, he thinks, - quickly pressing the power button again. The scratching stops and the - spindle motor turns off. That's gonna be an - ugly head crash. He looks around for other ways to get the manual. + CPU is idle, serials are idle, primary hard + drive is powered up – all good. Secondary hard drive is powered + down, let's change that... He pushes the power button and + hears the spindle spinning up. The power button blinks. There is some + intermittent rattling from the drive, + probably a shot bearing. It takes an + unusually long time for it to get up to speed. Impatiently sitting there, + Jack waits for the drive to be ready. Clicking form the mechanism + unlocking the heads followed by a ringing scratching noise. + Of course, he thinks, quickly pressing + the power button again. The scratching stops and the spindle motor turns + off. That's gonna be an ugly head + crash. He looks around for other ways to get the manual. He could try calling someone, maybe the lines to <dome city> still work.

@@ -97,11 +100,12 @@ Not exactly excited by the prospect of calling random people, but not seeing another option, he reaches for the phone. It lifts off the wall with a quiet click and Jack begins to dial. He holds the receiver to his - ear - silence. Welp, that's that. + ear - silence. Welp, that's that. He puts it back on the wall.

- I wonder what happened over the years... + I wonder what happened over the + years... He walks over to the the teleprinter and opens the lid to find that something has eaten most of the paper. He removes the remains and opens one of the cabinets under the desks. By some miracle, whatever ate the @@ -124,7 +128,7 @@ Welcome to INUX! $ █

- Over a hundred years, huh...
+ Over a hundred years, huh...
He types a few commands.

diff --git a/03-A_Simple_Errand-Annie_library.html b/03-A_Simple_Errand-Annie_library.html
index 2c579ac..1c844fb 100644
--- a/03-A_Simple_Errand-Annie_library.html
+++ b/03-A_Simple_Errand-Annie_library.html
@@ -22,8 +22,8 @@
       
  • Librarian behind the counter says something like "I have to write down your details, let me get the list rq" while - scribbling a note on her library card, then he winks at her and nods - to the door + scribbling a note on her library card, then he winks at her and + nods to the door
  • @@ -43,7 +43,7 @@

    - Next stop: Central Square
    + Next stop: Central Square
    Annie looks up. That's the station she has to get off at. She only needs to be at work in the afternoon so she decided to get that manual for Jack. @@ -71,30 +71,31 @@

    Annie makes her way up the stairs and enters through the large wooden doors. She walks up to the counter.
    - Hello, how may I help you today?
    + Hello, how may I help you today?
    The guy behind the counter smiles.
    - Borrowing the next stack of fantasy books?, - he asks.
    - Uhm... Actually, no, Annie replies as she - takes her library card and a piece of paper out of her bag.
    - I have a quite unusual request. I am looking + Borrowing the next stack of fantasy + books?, he asks.
    + Uhm... Actually, no, Annie replies as + she takes her library card and a piece of paper out of her bag.
    + I have a quite unusual request. I am looking for – she glances at the piece of paper – - a manual for a B three three F Y dash A F bunker - door.
    + a manual for a B three three F Y dash A F + bunker door.
    The guy types into his terminal for a moment. Annie places her library card on the counter. With a worried look, he turns back to her:
    - I'm afraid, that it has recently been + I'm afraid, that it has recently been classified. There is a note about terrorism in here.
    - So there is no way to get it?
    + So there is no way to get it?
    He musters her for a second, then he takes the card and scribbles something on it before putting it back.
    - I can check you against a list of people with + I can check you against a list of people with security clearance. One moment, I'll get it.
    He gestures towards the exit. Then, he turns around and walks towards a door to the left, seemingly taking his sweet time. Annie gets the message, grabs her library card and makes a swift exit. Just as she leaves, she hears him call out to someone else:
    - Dorothy, she left. What do I put on the list? + Dorothy, she left. What do I put on the + list?
    Input on how to format this dialog is appreciated. diff --git a/05-Eventful_Evening-secret_organization.html b/05-Eventful_Evening-secret_organization.html index fefad53..8e7f7f6 100644 --- a/05-Eventful_Evening-secret_organization.html +++ b/05-Eventful_Evening-secret_organization.html @@ -91,33 +91,34 @@ the lines. Annie presses the button; the door opens.

    - Hey, wait...
    + Hey, wait...
    The guy had made his way to the door and looks directly at her. It's him from behind the library counter.
    - We're gonna take this one for a couple + We're gonna take this one for a couple stations.
    Annie steps aside and he gets on the train as well.
    - My name is Lucas, nice to meet you.
    - He extends his hand as the doors close.
    - Annie.
    - He probably knew that already, right?
    - Sorry for being late.
    - The hum of the motors sets in and the train begins to move.
    - Perfect timing, I'd say.
    - He makes a short pause before continuing quietly:
    - So about that interaction we had earlier today - - I assume you want to leave the dome?
    - Not directly...
    - Okay then disregard my question and we have never - met.
    - Wait. You say there is a way out of the dome? + My name is Lucas, nice to meet you.
    - Well, there might be. Some friends of mine say there - is.
    + He extends his hand as the doors close.
    + Annie.
    + He probably knew that already, right?
    + Sorry for being late.
    + The hum of the motors sets in and the train begins to move.
    + Perfect timing, I'd say.
    + He makes a short pause before continuing quietly:
    + So about that interaction we had earlier today + – I assume you want to leave the dome?
    + Not directly...
    + Okay then disregard my question and we have + never met.
    + Wait. You say there is a way out of the + dome?
    + Well, there might be. Some friends of mine say + there is.
    Annie thinks about it for a moment. Before yesterday, she wasn't even aware that life could exist outside the dome - and now she might find out about a way to go there?
    - Tell me more, she replies. + Tell me more, she replies.

    They get off at a station near the city center - a place that is never @@ -139,10 +140,10 @@ feels dense and depleted, and carries the smell of alcohol. Live musicians are playing Idk? Music genre? Need ideas on a small stage area in the corner.
    - Hey Kate, I'll take a Braincell Rattler + Hey Kate, I'll take a Braincell Rattler and my uhh... friend here looks like she needs a coffee.
    - Okay. Going to the back room?
    - Yeah.
    + Okay. Going to the back room?
    + Yeah.
    Coffee sounds good... The back room? Annie raises an eyebrow. He opens a door next to the counter and gestures her to follow.

    @@ -151,29 +152,29 @@ the same with her jacket. She looks into the room: A bunch of people sitting around a large, round table - to her surprise including her grandpa.
    - Grandpa Karl? Language - intuition question: Is this how one would realistically refer to their - grandpa?
    - Hi Annie! TODO: Fix - this
    + Grandpa Karl? + Language intuition question: Is this how one would + realistically refer to their grandpa?
    + Hi Annie! + TODO: Fix this
    Before she has time to voice her confusion, they get interrupted:
    - Here you go, your drinks. Enjoy!
    + Here you go, your drinks. Enjoy!
    Lucas walks up to the window that connects to behind the counter.
    - Thank you!
    + Thank you!
    Annie takes a second to regain her composure. I don't think this is a great way to say that, Idk. - Thanks. + Thanks.

    They sit down at the table. Karl starts introducing people and some introduce themselves. Then, he continues talking about the group's mission:

    -

    +

    TODO: whole paragraph speech formatting - We are working on getting the city officials to - change their stance on some things. When the city was built, it was seen - as sort of a plan B for humanity in case things would get worse. + We are working on getting the city officials + to change their stance on some things. When the city was built, it was + seen as sort of a plan B for humanity in case things would get worse. It wasn't built as a place where we could go and hide forever in isolation. Over time, knowledge of the outside world stopped being an imagination of a possible bright future, and instead it became something @@ -181,14 +182,14 @@ Do you really want to go where the air you breathe is literal poison and die?'

    -

    +

    TODO: whole paragraph speech formatting - My dad used to always say - and maybe this was naive - hope on his part - that it would get better one day and that we could - open up the airlocks and leave. That was many, many years ago. It's - been over a century now since the city was sealed - even if it was naive - hope on his part, we should at least take a look outside and see for - ourselves what it's like.
    + My dad used to always say - and maybe this + was naive hope on his part - that it would get better one day and that + we could open up the airlocks and leave. That was many, many years ago. + It's been over a century now since the city was sealed - even if it + was naive hope on his part, we should at least take a look outside and + see for ourselves what it's like.
    Voices of agreement all around the table. move this outside of the speech paragraph

    @@ -206,18 +207,21 @@

    - I mean we have that manual at the library. - says Lucas. It's just classified because they - really don't want anyone to open or use the air locks.
    + I mean we have that manual at the + library. + says Lucas. It's just classified because + they really don't want anyone to open or use the air locks. +
    He reaches into his pocket and pulls out a key chain.
    - If you want, you can try getting it - I can't - because I disappeared from a birthday party with an excuse and they are - probably waiting for me to be back.
    + If you want, you can try getting it - I + can't because I disappeared from a birthday party with an excuse + and they are probably waiting for me to be back.
    He places the keys in the center of the table.
    - Karl says: I would love to, but I'm afraid I - can't run if things go south.
    + Karl says: I would love to, but I'm + afraid I can't run if things go south.
    A bunch of other excuses from other people. Finally, Annie takes the initiative:
    - I could go. Anyone want to help me with this? + I could go. Anyone want to help me with + this?

    diff --git a/06-Library_At_Night.html b/06-Library_At_Night.html index 8d0e9f8..26b57e9 100644 --- a/06-Library_At_Night.html +++ b/06-Library_At_Night.html @@ -56,19 +56,20 @@ Again, request for formatting suggestions below...

    - I guess this is it. Let's take a look at the - instructions Karl gave you. Isabelle says in a hushed voice.
    + I guess this is it. Let's take a look at + the instructions Karl gave you. Isabelle says in a hushed voice. +
    Annie pulls the note out of her bag.
    - First step is turning on the terminal... Hey, Lucas - said something about using a new floppy disk, can you search for - that?
    + First step is turning on the terminal... + Hey, Lucas said something about using a new floppy disk, can you search + for that?
    Annie walks over to the terminal; Isabelle turns to the boxes on the shelf. Annie puts the keys on the desk and inspects the terminal for a - power switch.
    - There's a box with cookies back here. -
    + power switch.
    + There's a box with cookies back + here.
    She pulls it out from behind the terminal. They giggle.
    - I want one, says Isabelle.
    + I want one, says Isabelle.
    Both end up taking a cookie before stashing the box behind the terminal again.

    @@ -76,11 +77,12 @@ Annie flips the power switch. The terminal makes a bonk sound and a crackling noise. She feels the hairs on her arm stand up as she inadvertently moves it in front of the screen.
    - Whoa...
    + Whoa...
    The screen begins to light up.
    - ... I guess this is supposed to happen.
    + ... I guess this is supposed to happen. +
    Annie looks back at the note.
    - ‘Turn on main power switch on + ‘Turn on main power switch on computer'..., she mumbles to herself.
    She looks at the racks. They are mostly filled with what looks like large drawers with buttons on them. The one in the center is different. @@ -88,44 +90,44 @@ them, and some other devices.

    - I found you a new floppy disk. Isabelle + I found you a new floppy disk. Isabelle interrupts her.
    She pulls a large, square, floppy thing, half-wrapped in a paper sleeve, out of one of the boxes. She pulls the paper sleeve off. Turns out, it's another sleeve made out of thin plastic with some openings that were previously covered by the paper containing a black, glossy circle.
    - Lucas said to put it in the computer and push a - lever down.
    + Lucas said to put it in the computer and push + a lever down.
    They look back and forth between the floppy disk and the computer until Isabelle points to a device in the center rack with a large, flat slot and says:
    - It could fit in there.
    + It could fit in there.
    She walks up to it and inserts the disk. Then, she pushes on the mechanism in the center of the slot. It latches in place.
    - What's next?
    - The note says to turn on the 'main power + What's next?
    + The note says to turn on the 'main power switch', Annie repeats while inspecting one of the panels with buttons.
    - Maybe this one?
    + Maybe this one?
    She points at a key switch.
    - Let's try.
    + Let's try.
    Isabelle hands her the keys. One of them fits and turns.

    Fans come on; they hear the loud noise of air rushing through the computer. Some of the lights and buttons light up. Annie looks at the note again:
    - ‘Spin up boot hard drive'... Lucas has - also written here: 'Number 2'
    + ‘Spin up boot hard drive'... Lucas + has also written here: 'Number 2'
    The two look back at the racks.
    - These drawer thingies here have numbers on them, - maybe that's what they mean?
    + These drawer thingies here have numbers on + them, maybe that's what they mean?
    Isabelle presses the power button on number two. It starts blinking. The device makes a loud clonk noise followed by a motor accelerating inside. Clicking and more mechanical noises. The power switch stops blinking and stays lit up.
    - The last step on the note is to press + The last step on the note is to press ‘reset' and ‘load' and to enter something into the terminal. They also wrote down a list of commands that might help us to find and copy the manual, and ‘Good luck!'...
    @@ -143,9 +145,9 @@ putting it back into its sleeve

    - Shhh.
    + Shhh.
    Isabelle gestures for Annie to be quiet. She whispers:
    - Do you hear that?
    + Do you hear that?
    Footsteps. Annie nods. Someone is in the building - and probably heard them. Quickly, she puts the disk into her bag.

    @@ -153,7 +155,7 @@ Opening and closing the door as quietly as possible, they sneak out of the room and back towards the stairs. The footsteps are coming closer.
    - Shit, Isabelle whispers.
    + Shit, Isabelle whispers.
    They turn around and sneak to the other end of the hallway. It opens up into a room filled with crates that has small windows near the ceiling. The footsteps are making their way down the stairs. Annie reaches for @@ -164,11 +166,11 @@ struggles for a moment to get onto the crate. After she finally manages to get up, Isabelle pulls her through the window - not a moment too soon.
    - You, stop!, + You, stop!, rephrase?? a man yells at them from inside, - Stay where you are!
    + Stay where you are!
    They start running.
    - I'm gonna catch you. + I'm gonna catch you.

    Isabelle runs ahead, leading Annie into a dark alley. She climbs onto a @@ -176,7 +178,7 @@ continue running on the ledge until reaching a wall at the end of the alley. Isabelle jumps, grabs hold of the railing at the top, pulls herself up, and climbs over it.
    - Wait here. She disappears.
    + Wait here. She disappears.
    Annie looks around nervously. What if she was caught now?
    A moment later, Isabelle returns holding a ladder. Annie climbs up and pulls the ladder up after herself. Isabelle takes it and stashes it on @@ -184,8 +186,9 @@ of the metro. The Central Square station is close by, they run towards it along the tracks. Just as they make their way onto the platform, the rails start ringing.
    - Isabelle says with a smirk on her face: I don't - think he expects our getaway vehicle to be yellow and red... + Isabelle says with a smirk on her face: + I don't think he expects our getaway + vehicle to be yellow and red... alternative wording: Ketchup and mustard express XD

    diff --git a/ga-Who_Died_Today-Emily_intro.html b/ga-Who_Died_Today-Emily_intro.html index ea832af..5ce9fa6 100644 --- a/ga-Who_Died_Today-Emily_intro.html +++ b/ga-Who_Died_Today-Emily_intro.html @@ -30,7 +30,8 @@ Dialog:
    • - Emily asks who died this time / who died today - preferably in a more elegant way* + Emily asks who died this time / who died today - preferably in a + more elegant way
      • Lena's spouse (?) @@ -79,7 +80,7 @@ She turns around to find her older sister Lena sitting against the wall - tears running down her face. After a moment to fully wake up and grasp the situation, Emily asks:
        - Who?
        + Who?
        Lena snivels and points to the ring on her finger. Dictionary to the rescue! Is that the right word? ... A grim but not uncommon way for days to begin lately. That leaves five diff --git a/html_resources/style.css b/html_resources/style.css index 3b39bd5..2123cb6 100644 --- a/html_resources/style.css +++ b/html_resources/style.css @@ -94,17 +94,17 @@ span.paper.green { background-color: #D0DBA6; } -span.speech { +span.quote.speech { color: #303030; } -span.speech::before { +span.quote.speech::before { color: black; content: "\25b8"; font-size: 0.75em; position: relative; bottom: 0.15em; } -span.speech::after { +span.quote.speech::after { color: black; content: "\25c2"; font-size: 0.75em; @@ -112,17 +112,17 @@ span.speech::after { bottom: 0.15em; } -span.non-speech { +span.quote.non-speech { color: #303030; } -span.thought::before { +span.quote.thought::before { color: black; content: "\25b9"; font-size: 0.75em; position: relative; bottom: 0.15em; } -span.thought::after { +span.quote.thought::after { color: black; content: "\25c3"; font-size: 0.75em; @@ -131,18 +131,18 @@ span.thought::after { } /*TODO: Remove and replace with speech/non-speech where appropriate*/ -span.thought { +span.quote.thought { color: red; /*color: #303030;*/ } -span.thought::before { +span.quote.thought::before { color: red; content: "\25b9"; font-size: 0.75em; position: relative; bottom: 0.15em; } -span.thought::after { +span.quote.thought::after { color: red; content: "\25c3"; font-size: 0.75em; diff --git a/ka--finding_the_train.html b/ka--finding_the_train.html index 028e347..badef15 100644 --- a/ka--finding_the_train.html +++ b/ka--finding_the_train.html @@ -5,55 +5,57 @@ Context: They are exploring the Ivydale train yard

        - Michelle! Look what I found...
        + Michelle! Look what I found...
        She climbs through the gap between the rotting cars on the adjacent track.
        - Where are you?
        - Up here.
        + Where are you?
        + Up here.
        Jack had climbed onto the rather sketchy-looking roof of one of the trains. Michelle climbs onto the link between cars and Jack helps her to the top.
        Look, - Over there...
        + Over there...
        He points across the deteriorating metro trains towards the outermost track of the overgrown train yard. A small roof - or in places what remains of it - extends over the track from the side of a large building. Under the roof are several tank cars. Some are rusted through or missing parts, but a few look like they might still hold liquids.
        - Oh, wow! Maybe there's some gas left in there or - something...
        - My thought. Let's check it out. + Oh, wow! Maybe there's some gas left in + there or something...
        + My thought. Let's check it out.

        They climb back down and make their way over to one of the tank cars. They climb onto the side of the car and Jack attempts to use the ladder that leads to the top. It crumbles under his feet.
        - I guess I found the way down - hey, use me as a + I guess I found the way down - hey, use me as a ladder.
        He leans against the car and helps her onto the tank. something missing? Idk Michelle inspects the lid.
        - Do we have a wrench or something?
        + Do we have a wrench or something?
        Jack looks around.
        - I don't know. Lemme take a look inside + I don't know. Lemme take a look inside there...
        He disappears through where used to be a door. After a moment, he reappears, triumphantly holding a large adjustable wrench.
        - It's a bit rusty but should do the job. -
        - I'm afraid to see what you call very + It's a bit rusty but should do the + job.
        + I'm afraid to see what you call very rusty.
        - This thing, for example.
        + This thing, for example.
        He knocks it against the ladder on the side of the tank causing more pieces to break off. Then, he hands the wrench to her. After a bit of fiddling, she manages to get a good grip on one of the nuts holding the lid in place - it doesn't budge.
        - Need a hammer or something?
        - Can you hand me that pipe? It should do.
        + Need a hammer or something?
        + Can you hand me that pipe? It should + do.
        Jack picks up a section of metal pipe and passes it to her. Putting it over the wrench for additional leverage, she pushes against it until the bolt snaps with a bang.
        - Well that's one way for that to come off. + Well that's one way for that to come + off.

        missing section: Michelle opens the lid and finds some disappointing @@ -62,13 +64,12 @@

        The contents of the next tank are more promising.
        - Smells like diesel... We should go find a truck or - something to drive around.
        - Okay, uhh, stupid idea but I need to show you - something.
        - Jack grins.
        - Oh no, what are you up to again?
        - Nothing in particular... Wanna follow me for a + Smells like diesel... We should go find a + truck or something to drive around.
        + Okay, uhh, stupid idea but I need to show you + something. Jack grins.
        + Oh no, what are you up to again?
        + Nothing in particular... Wanna follow me for a sec?
        Michelle jumps down onto the edge of the car, then to the ground and follows him to the entrance. @@ -88,17 +89,17 @@ rusty crane, sits a train wrapped up in tarps.

        - Stupid idea indeed, she says while walking - towards it. Then, she corrects herself: Actually, it - might not be that stupid. It should have a generator that we can - use.
        - That is if we can get it to a location where it - would be useful.
        - Is there a railroad close to the bunker? + Stupid idea indeed, she says while + walking towards it. Then, she corrects herself: + Actually, it might not be that stupid. It + should have a generator that we can use.
        + That is if we can get it to a location where + it would be useful.
        + Is there a railroad close to the bunker?
        - Not that I know of, the closest would be somewhere - around Ivydale South.
        - Okay, not very useful. Let's go find a truck - then. + Not that I know of, the closest would be + somewhere around Ivydale South.
        + Okay, not very useful. Let's go find a + truck then.

        diff --git a/ma-Escape_From_Dome_City.html b/ma-Escape_From_Dome_City.html index cb2c716..e1fd231 100644 --- a/ma-Escape_From_Dome_City.html +++ b/ma-Escape_From_Dome_City.html @@ -3,13 +3,13 @@

        Escape From Dome City

        Annie reaches the platform. The sirens of the police cars are really - close now. A train is coming. The first police car arrives at the station. - Annie freezes as she panics. The train for sure won't leave before - the police searched it. Where can she hide? + close now. A train is coming. The first police car arrives at the + station. Annie freezes as she panics. The train for sure won't + leave before the police searched it. Where can she hide?

        - Annie! Someone shouts her name. - Annie, get in here, run!
        + Annie! Someone shouts her name. + Annie, get in here, run!
        She breaks out of her freeze. The train had turned out to be a single car. A single, slightly rusty railcar painted in different shades of blue. note: make it a theme that the metro is @@ -30,60 +30,61 @@

        She reaches the driver's cabin.
        - Hello Jack!
        - Hi Annie – you good?
        - Yes, she breathes heavily, - but that was close.
        + Hello Jack!
        + Hi Annie – you good?
        + Yes, she breathes heavily, + but that was close.
        After catching her breath for a moment, she says:
        - You arrived just in time. They've been + You arrived just in time. They've been following me around for a while but we got away.
        Jack seems to think for a short moment while his eyes stay fixated on the track ahead.
        - That remains to be seen. Coming through that + That remains to be seen. Coming through that airlock seems to have set off some sort of alarm. Like poking a stick into an anthill...
        - An anthill?
        - Oh, I forgot, you wouldn't know... Ants are - tiny little animals. They build hills of loose material as their nests. - If you poke a stick into one, they scramble to defend it.
        + An anthill?
        + Oh, I forgot, you wouldn't know... Ants + are tiny little animals. They build hills of loose material as their + nests. If you poke a stick into one, they scramble to defend it. +
        Annie imagines a bunch of mice scratching and biting away at a stick that's stuck in a slope of rubble.
        - Anyway, Jack continues, - this little expedition hasn't gone + Anyway, Jack continues, + this little expedition hasn't gone unnoticed.
        Short pause.

        Looking outside again, Annie realizes:
        - I have never seen one of these – she - knocks on the control panel – go this - fast.
        - Me neither, says Jack. He adds: - There used to be trains that could go faster – - a lot faster – but not the metro. + I have never seen one of these – + she knocks on the control panel – go + this fast.
        + Me neither, says Jack. He adds: + There used to be trains that could go faster + – a lot faster – but not the metro.

        After watching the tracks, stations, and buildings fly by for a couple minutes, Annie opens her bag and pulls out a pile of paper.
        - Here are the documents you need. Maps, blueprints, - manuals, everything we could find.
        - Sounds good. Just put them in there for now. -
        + Here are the documents you need. Maps, + blueprints, manuals, everything we could find.
        + Sounds good. Just put them in there for + now.
        He gestures towards a small cabinet in the back of the driver's cabin. Annie places the pile on top of a few folders and binders that are already in there. The train barrels through another station. Jack slowly decelerates the train.
        - We're almost at your drop-off point, next + We're almost at your drop-off point, next station is Crystal Park ... uhhh ... and we might have a problem.
        The train is going around a long curve overseeing the park and square in front of the station. <Grandpa's friend>'s car is there, surrounded by police cruisers with flashing lights and open doors.
        - What do we do now?
        - Well I'm sure as fuck not staying around to - see what they're up to down there. Jack says while - accelerating again. I hope you're okay with - coming with me. + What do we do now?
        + Well I'm sure as fuck not staying around + to see what they're up to down there. Jack says while + accelerating again. I hope you're okay + with coming with me.

        They pass a couple more stations before the train runs over a switch and @@ -97,7 +98,7 @@ but the one Annie and Jack are approaching on is mostly clear.

        - Hold onto something! Jack slams on the + Hold onto something! Jack slams on the brakes. The train loses power and rumbles over a bunch of switches. The headlights flicker and turn off. A police car that was parked too close to their track gets flung aside. A bunch of technicians jump out of @@ -108,13 +109,13 @@

        The screams of the police and technicians are drowned out by the hissing of pressurized air and the *ka-chonk* of large machinery. - Access authorized, cycling airlock, please stand - by, announces an automated voice. The bunker door behind them - starts to move with a squeaking noise. The ‘keepers of order' - that had started to run after the train into the airlock stop and look - around in confusion. Everything around them turns to black. The only - thing Annie sees are the illuminated gauges on the control panel. More - hissing of pressurized air. + Access authorized, cycling airlock, please + stand by, announces an automated voice. The bunker door behind + them starts to move with a squeaking noise. The ‘keepers of + order' that had started to run after the train into the airlock + stop and look around in confusion. Everything around them turns to black. + The only thing Annie sees are the illuminated gauges on the control + panel. More hissing of pressurized air.

        The train shakes slightly as it makes a noise that sounds like a @@ -125,28 +126,28 @@ revealing a long tunnel.

        - Everything okay? You look puzzled. Jack looks - at her.
        - What's this weird noise?
        - The generator. There's no power out here so - the train itself has to generate it to drive. + Everything okay? You look puzzled. + Jack looks at her.
        + What's this weird noise?
        + The generator. There's no power out here + so the train itself has to generate it to drive.

        The police start banging on the outside of the train and yell something. Jack grabs a microphone off the wall and speaks into it:
        - Gentlemen, for your own safety, please step back - from the train.
        + Gentlemen, for your own safety, please step + back from the train.
        He pushes a lever on the control panel and the smooth hum of the motors joins in with the noise of the generator.

        - In a couple minutes, it's gonna get very + In a couple minutes, it's gonna get very bright. Jack says while driving the train into the tunnel. - Close your eyes if it's too bright. It might - take a while to get used to the sun.
        + Close your eyes if it's too bright. It + might take a while to get used to the sun.
        The train begins to move up a slight incline. An automated announcement comes on:
        - Dear passengers, welcome to the combined + Dear passengers, welcome to the combined Sentinel Shores and Ivydale local transit zone! Please keep in mind that the last train returning to <underground city> for today departs from Ivydale South at 10:15PM. Enjoy your travel! @@ -164,28 +165,29 @@ Annie hears Jack press some buttons and the clicking of relays. The motors go quiet and the train starts to slow down. She tries to open her eyes but it's still too bright.
        - I think you could use a pair of sunglasses. -
        - Sunglasses?
        - They're like normal glasses but... dark to - make bright light easier on your eyes.
        + I think you could use a pair of + sunglasses.
        + Sunglasses?
        + They're like normal glasses but... dark + to make bright light easier on your eyes.
        Jack puts a pair in Annie's hands. She puts them on and cautiously squints outside. Lots of green, brown, and gray but before she can make out any details, they roll into another tunnel. The automated voice comes on again:
        - We are now approaching Ivydale South. Your next - connections are line 7 to Ivydale Distillery from platform 5, HST1511 to - Siren's Edge from platform 14, HST815 to Nova Metropolis from - platform 11. This train will continue on line 5 to Sentinel Shores - Sea Market via Ivydale West, Sentinel Shores Observatory, - Sentinel Shores Central Station.
        + We are now approaching Ivydale South. Your + next connections are line 7 to Ivydale Distillery from platform 5, + HST1511 to Siren's Edge from platform 14, HST815 to Nova Metropolis + from platform 11. This train will continue on line 5 to + Sentinel Shores Sea Market via Ivydale West, + Sentinel Shores Observatory, Sentinel Shores Central + Station.
        After a moment, Jack says quietly:
        - I wonder how much of these places is left... - Raising his voice back to a normal level, he adds: - But for now, we'll head back to base. -
        - Base?
        - The bunker, we refer to it as our base of + I wonder how much of these places is + left... Raising his voice back to a normal level, he adds: + But for now, we'll head back to + base.
        + Base?
        + The bunker, we refer to it as our base of operations.
        The train rolls out of the second tunnel and they find themselves in a station.

        diff --git a/mb-First_Steps_Outside.html b/mb-First_Steps_Outside.html index deba62c..0e3359c 100644 --- a/mb-First_Steps_Outside.html +++ b/mb-First_Steps_Outside.html @@ -19,10 +19,10 @@ over a bunch of bushes and tall flowers that have taken root on the tracks before coming to a halt next to a staircase in the center of the platform.
        - Exit to the right, Jack says in unison with - the automated voice while turning the switch for the doors and gesturing - towards the passenger area.
        - After you. + Exit to the right, Jack says in unison + with the automated voice while turning the switch for the doors and + gesturing towards the passenger area.
        + After you.

        Annie walks over to the closest door and pushes the button. Pressurized @@ -30,15 +30,15 @@ platform. Annie breathes the warm air. It smells of the run-over plants. Insects are buzzing about, and the wind rustles through the leaves. She crouches down and touches the carpet of green fuzziness.
        - Grass. It grows pretty much everywhere, usually much - taller than this though.
        + Grass. It grows pretty much everywhere, + usually much taller than this though.
        She looks up at him.
        - I knew there would be more plants out here... I + I knew there would be more plants out here... I didn't expect that many of them.
        - Welcome to the outside world. Wanna take a quick - look around?
        + Welcome to the outside world. Wanna take a + quick look around?
        She gets up.
        - Sure.
        + Sure.
        Jack uses a key to close the door and they get going.

        @@ -50,29 +50,32 @@

        Annie is hit by the light and warmth of the setting sun. She closes her eyes and faces it for a moment.
        - This is nice. She turns to Jack. - And this light is just always up there?
        - Jack chuckles. Well... No. Only during the + This is nice. She turns to Jack. + And this light is just always up there? +
        + Jack chuckles. Well... No. Only during the day.
        Annie looks around. They are standing on a balcony-like platform overlooking a city in a valley.
        - Wooow, she utters in astonishment.
        - Ivydale - or at least what remains of it. + Wooow, she utters in astonishment.
        + Ivydale - or at least what remains of + it.
        She walks over to the rusted railing and goes to lean against it.
        - Don't lean on that.
        - Why not?
        + Don't lean on that.
        + Why not?
        She steps back.
        - Watch.
        + Watch.
        He pushes against it. Loud cracking follows, and the ringing of metal. A roughly two meter wide section of the railing breaks loose and falls. Annie takes a bigger step back. The railing crashes into the ground below with a loud ringing bang.
        - How did you know?
        - I made the same mistake over there.
        + How did you know?
        + I made the same mistake over there. +
        He points to another missing section in the railing that Annie hadn't noticed before.
        - Be careful around old buildings. + Be careful around old buildings.

        Cautiously stepping back to the edge, Annie looks down. Bushes overgrow @@ -82,12 +85,12 @@ by what remains of roads and staircases. Small rivers cut through the landscape. Annie looks up. The ruins further down the valley are larger the closer they are to the center of the urban area below.
        - It's much bigger than <dome city>. -
        - Many things are bigger than <dome city>. + It's much bigger than <dome + city>.
        + Many things are bigger than <dome city>. This is the smaller of two sister cities.
        He points towards another urban center in the distance.
        - That over there is Sentinel Shores, the place + That over there is Sentinel Shores, the place I used to call home.

        @@ -108,7 +111,7 @@ by grabbing onto the edges of the large sandstone blocks. Annie struggles to follow. After what feels like an eternity, she manages to get half-way down the wall.
        - You can jump from there.
        + You can jump from there.
        Something interesting needs to happen here.
        They make their way across the fast-flowing river by stepping on large diff --git a/oa--Emily_lab_incident.html b/oa--Emily_lab_incident.html index de4e20a..3bb3c16 100644 --- a/oa--Emily_lab_incident.html +++ b/oa--Emily_lab_incident.html @@ -65,25 +65,26 @@

      - Why not?
      + Why not?
      Emily looks back and forth between Lena and Sasha.
      - Tony said he had some success with his mice, why - shouldn't we try it?
      - Tony also died after – Sasha is - interrupted by coughing – after trying it + Tony said he had some success with his mice, + why shouldn't we try it?
      + Tony also died after – Sasha is + interrupted by coughing – after trying it on himself.
      - Not like anything else is gonna happen to + Not like anything else is gonna happen to us...
      Lena shakes her head.
      - I don't want to spend my remaining days alone. - Just don't do it, please.
      + I don't want to spend my remaining days + alone. Just don't do it, please.
      Emily gets up and paces around the module. Is that proper grammar? Her eyes fall on the drawers in the adjacent maintenance module. An idea forms in her head...
      - Emily, where are you going?
      + Emily, where are you going?
      She steps inside and rummages through a bunch of drawers, leaving them open as she opens the next one.
      - What are you doing with that hammer?
      + What are you doing with that hammer? +
      She storms off into the hallway; Lena jumps up and runs after her.

      diff --git a/pa-Basic_Needs.html b/pa-Basic_Needs.html index 4abf644..190b42f 100644 --- a/pa-Basic_Needs.html +++ b/pa-Basic_Needs.html @@ -14,7 +14,7 @@

      He parks in front of an old store.
      - This is it, I guess.
      + This is it, I guess.
      They get out and start walking towards the door. A small dog runs up to greet them, jumping around, running in circles, and wagging its tail. It picks up a stick and drops it in front of Annie. She crouches down, @@ -22,7 +22,7 @@ and pulls on it.
      note: need reason for Jack to go ahead, also better wording
      - I'll be inside.
      + I'll be inside.
      Jack goes into the store.

      @@ -30,71 +30,73 @@ his 60s
      After playing with the dog for a bit, Annie follows. The man behind the counter is talking to Jack:
      - I mean in the long run. We have plenty of food right - now but, since the <river name> has changed course, we don't - even have enough water to grow crops for ourselves. The cisterns and - wells simply don't cut it.
      - So, basically, you're saying you need + I mean in the long run. We have plenty of food + right now but, since the <river name> has changed course, we + don't even have enough water to grow crops for ourselves. The + cisterns and wells simply don't cut it.
      + So, basically, you're saying you need water.
      The man interrupts the conversation and looks at Annie:
      - Good afternoon, what can I do for you?
      - I'm with him.
      - I see.
      + Good afternoon, what can I do for you? +
      + I'm with him.
      + I see.
      He turns back to Jack:
      - Listen, we don't just need a little bit of + Listen, we don't just need a little bit of water. The amount of water we need can't simply be carried here or we'd do it ourselves. And we need it regularly and consistently. When the <river> still flowed here, water userd to flow into our irrigation system upstream and got distributed to all the fields and greenhouses from there.
      - I know you need an industrial quantity of water. - We can get you an industrial quantity of water. Will you give us food if - we supply you?
      + I know you need an industrial quantity of + water. We can get you an industrial quantity of water. Will you give us + food if we supply you?
      "Who is *we*?"
      He musters Jack for a moment.
      - And how do you wanna get it here?
      - By train - assuming the railroad south of here is - in a serviceable state. Seeing the man's confusion, Jack - adds: Let that be my problem to solve. Will you - trade water for food?
      - I'm gonna have to discuss that with the others. - Wait outside. + And how do you wanna get it here?
      + By train - assuming the railroad south of here + is in a serviceable state. Seeing the man's confusion, Jack + adds: Let that be my problem to solve. Will + you trade water for food?
      + I'm gonna have to discuss that with the + others. Wait outside.

      After playing with the dog some more, they get approached by a group of people, amongst them the man from the store. They shake hands. Jack repeats his idea to supply water by train in exchange for crops.
      - What's this train you're talking + What's this train you're talking of?, one of them asks.
      - A large vehicle from the old world. It drives on - tracks like the ones that should be south of here.
      - So that's what these rails were used for... - But that's still pretty far from here, how do you wanna transport - the water here?
      - That irrigation system of yours... Can we take a - look at it?
      - I see where you're trying to go with this. - It's still not particularly close to the rails. + A large vehicle from the old world. It drives + on tracks like the ones that should be south of here.
      + So that's what these rails were used + for... But that's still pretty far from here, how do you wanna + transport the water here?
      + That irrigation system of yours... Can we take + a look at it?
      + I see where you're trying to go with + this. It's still not particularly close to the rails.

      After a bit of additional back and forth, they agree on a plan. The man who did most of the talking asks a girl:
      - Mary, can you go, show them around?
      - Sure, follow me. + Mary, can you go, show them around? +
      + Sure, follow me. It's a bit of a walk...
      - Wait, Jack stops her, - We're here with a truck.
      - So that's your car? Cool! I've only - ever seen one working car in the city. So we're gonna drive - there?
      - If you show us the way.
      - Let's go! + Wait, Jack stops her, + We're here with a truck.
      + So that's your car? Cool! + I've only ever seen one working car in the city. So we're + gonna drive there?
      + If you show us the way.
      + Let's go!

      Not sure of this should be the end of a chapter or if I should continue here. The way this has turned out, it would also be nice if they ended up - delivering construction machines (excavators, etc.) to the village so they - don't need to rely on water shipments past the day when the + delivering construction machines (excavators, etc.) to the village so + they don't need to rely on water shipments past the day when the protagonists leave for Nova Metropolis.

      diff --git a/ra--Emily_first_contact.html b/ra--Emily_first_contact.html index a9a9ca5..7c3c00e 100644 --- a/ra--Emily_first_contact.html +++ b/ra--Emily_first_contact.html @@ -87,7 +87,7 @@

      3 – 5 – 2 – 1 – Enter. The keypad beeps with every button press. A computer voice announces - Access authorized. The door to the main + Access authorized. The door to the main control center module slides up and she steps through. The module contains one large room with rows of integrated computer equipment desks arranged need a fitting description of what a @@ -115,13 +115,13 @@ turn on. Some of the status indicators on the back wall start blinking. A large, green triangle with the letters LINK next to it flickers and then lights up. Emily looks at it in confusion.
      - What does that light mean? She gestures + What does that light mean? She gestures towards it.
      - That's them.
      - Earth people?
      - Yes, Lena replies while quickly finishing - her meal, they said they'd try to get a phone - connection going.
      + That's them.
      + Earth people?
      + Yes, Lena replies while quickly + finishing her meal, they said they'd try + to get a phone connection going.
      As if on cue, the phone on the large center console begins to ring. Lena gets up and walks over, Emily follows her. note: might need to imply that Lena is very sick Lena sits down in @@ -129,7 +129,8 @@ The speaker on the console starts crackling and hissing. Through the noise, they hear a faint voice. Lena leans over to a microphone and talks into it:
      - We can't hear you, one moment.
      + We can't hear you, one moment. +
      She flips some switches on the console. The speaker cracles some more, then a loud pop, then silence. The smell of magic smoke is in the air.

      @@ -150,18 +151,18 @@ MOON-01 > We have another problem somewhere along the line. There's Lena opens a cover with a small label "P2", pulls two cards out of their sockets, and inspects them. One has a big black burn mark right in the center. She turns to Emily:
      - Can you fetch me this module from another + Can you fetch me this module from another phone?

      - And? Michelle asks Jack as he looks up from - the terminal.
      - Weak signal - and they need to fix their + And? Michelle asks Jack as he looks up + from the terminal.
      + Weak signal - and they need to fix their phone.
      - James asks What about that plan B of increasing the - transmit power?
      - Meh. Jack doesn't seem too enthusiastic - about it.
      + James asks What about that plan B of + increasing the transmit power?
      + Meh. Jack doesn't seem too + enthusiastic about it.
      TODO: Dialog. They decide not to increase the power before double-checking that everything is aligned properly. Sure enough, they're off by a bit.
      diff --git a/va-Alone-Lena_death.html b/va-Alone-Lena_death.html index e31327f..4a7ff66 100644 --- a/va-Alone-Lena_death.html +++ b/va-Alone-Lena_death.html @@ -78,7 +78,7 @@ bench across from the air lock. Emily helps her all the way into the suit. Lena sits there for a moment, heavily breathing, while Emily waits.
      - Sorry, I can't... I feel exhausted. + Sorry, I can't... I feel exhausted.

      Emily takes their helmets and brings them into the airlock. She returns @@ -114,22 +114,23 @@ takes it off and she sits down. Emily places the life support unit behind her, Lena leans against it. She turns her radio on and Emily does the same.
      - Ultimately, you were right. She is - interrupted by coughing. If more had taken + Ultimately, you were right. She is + interrupted by coughing. If more had taken Tony's cure – no matter what risk it posed ... – maybe some of them would be alive now.
      - What about you? Emily asks with a slither of - hope in her voice.
      - No – no cure can save me, it's too + What about you? Emily asks with a + slither of hope in her voice.
      + No – no cure can save me, it's too late.
      Emily tears up. note: Slightly. Is there a better way to say this?
      - I'm sorry.
      + I'm sorry.
      Lena raises her arm. Emily sits down next to her and Lena puts it around her shoulders.
      - What will I do without you?
      - You have a strong mind. You got this. Jack will - call in the evening, as usual; he will know what to do next.
      + What will I do without you?
      + You have a strong mind. You got this. Jack + will call in the evening, as usual; he will know what to do next. +

      missing: diff --git a/zb--reaching_nova_metropolis.html b/zb--reaching_nova_metropolis.html index 268e8cb..2f65577 100644 --- a/zb--reaching_nova_metropolis.html +++ b/zb--reaching_nova_metropolis.html @@ -3,7 +3,8 @@ <Reaching Nova Metropolis>

      - Good morning, Annie! Pancakes are ready.
      + Good morning, Annie! Pancakes are ready. +
      Jack takes his hand off her shoulder. She stützt sich hoch and looks around in confusion. James is driving the bus on a surprisingly very intact highway though a seemingly endless desert. @@ -18,28 +19,29 @@ and start to eat. Also, a mention of what the dog is up to...

      - So when are we gonna reach the <mining company> - pit?, Michelle asks.
      + So when are we gonna reach the <mining + company> pit?, Michelle asks.
      Jack looks at James. James tilts his head slightly and shrugs.
      - Like two hours ago?
      - You're kidding.
      - Didn't wanna wake you up.
      - Uhh... Michelle is at a loss for words.
      + Like two hours ago?
      + You're kidding.
      + Didn't wanna wake you up.
      + Uhh... Michelle is at a loss for words. +
      James grins.
      - Don't worry, I won't drive from + Don't worry, I won't drive from here.
      - Can't even be mad... Wait, doesn't that - mean that we're way ahead of time?
      + Can't even be mad... Wait, doesn't + that mean that we're way ahead of time?
      James shrugs again, this time holding up his hands. She turns to Jack:
      - How much ahead are we?
      + How much ahead are we?
      He glances at his watch.
      - About three hours - but if you're as lucky as - James, we'll be even more ahead by the time we arrive. The wind has - favored us so far.
      - Annie chimes in: You didn't sleep, did + About three hours - but if you're as + lucky as James, we'll be even more ahead by the time we arrive. The + wind has favored us so far.
      + Annie chimes in: You didn't sleep, did you?
      - Sleep is overrated anyway - but, if you allow + Sleep is overrated anyway - but, if you allow it, I'll be going to sleep very soon.

      @@ -53,23 +55,23 @@

      Michelle sits down in the driver's seat.
      - James yawns. Now that I'm thinking about it, - taking a nap sounds very entising... Is that how you - spell that?
      - Well, you've ... Michelle goes to turn - the key but nothing happens. She stops mid-sentence.
      - James says: Oh, that's been a problem. Can you - open the door for a sec?
      - Sure, she replies with a tone of bewilderment - in her voice.
      + James yawns. Now that I'm thinking about + it, taking a nap sounds very entising... Is that + how you spell that?
      + Well, you've ... Michelle goes to + turn the key but nothing happens. She stops mid-sentence.
      + James says: Oh, that's been a problem. + Can you open the door for a sec?
      + Sure, she replies with a tone of + bewilderment in her voice.
      James grabs a jumper cable and heads outside. They hear him opening some panel in the back of the bus followed by arcing noises. The engine begins to turn over. Michelle turns the key again. Finally, the engine starts running. James slams the panel shut and returns.
      - As I was about to say: You've definitely earned - that nap. Thanks for driving part of my + As I was about to say: You've definitely + earned that nap. Thanks for driving part of my shift.
      - Still considering it...
      + Still considering it...
      The engine roars as Michelle sets the bus in motion again. Something is missing here. Idk.

      diff --git a/zd--Nova_Metropolis.html b/zd--Nova_Metropolis.html index 55f395c..0bdd9a8 100644 --- a/zd--Nova_Metropolis.html +++ b/zd--Nova_Metropolis.html @@ -12,7 +12,7 @@ Maybe add some comment about what Annie sees/perceives?

      - Look, over there!
      + Look, over there!
      Michelle points to the left. An undefined shape is visible in the far distance. She takes an exit onto another highway in that direction. After a short while, the undefined shape turns into the unmistakable skyline of @@ -30,15 +30,15 @@

      The highway ends and transitions into a large road. Michelle decelerates the bus.
      - Why are you going so slow?
      - Im going exactly 50 - perfectly normal city + Why are you going so slow?
      + Im going exactly 50 - perfectly normal city speed.
      - 50 km/h? That's faster than the speed limit in + 50 km/h? That's faster than the speed limit in <dome city>. This feels so slow...
      Michelle chuckles.
      - Well Jack was right about the wind - I managed to go - 120 most of the time. Under normal circumstances, a bus like this one - would struggle with that. + Well Jack was right about the wind - I managed + to go 120 most of the time. Under normal circumstances, a bus like this + one would struggle with that.

      The buildings around them get taller and taller. The mix of smaller and @@ -48,36 +48,36 @@ over over the road. Annie points them out:
      TODO: tie this in with the missing section above.
      - They all look like they were just abandoned. -
      - You're right. Not even a smashed window... -
      - Over there?
      - Okay, one smashed window.
      + They all look like they were just + abandoned.
      + You're right. Not even a smashed + window...
      + Over there?
      + Okay, one smashed window.
      Michelle pulls up at a bus stop and parks the bus.
      - Time to wake up the guys. + Time to wake up the guys.

      While enjoying a small meal, they decide to explore the time capsule that is Nova Metropolis. Well, all of them but Jack.
      - I thought sleep was for the weak? Michelle - teases him.
      - I'm just gonna own that one today.
      + I thought sleep was for the weak? + Michelle teases him.
      + I'm just gonna own that one today.
      He throws himself into his bed, not even making an effort to lay down in a comfortable position. Through the mattress, they hear a muffled - Good night. + Good night.

      missing section

      - Jack is gone, Annie notices while entering - the bus. She goes to the kitchen area.
      - There's a note on the table: "Will be back - at 6:30"
      + Jack is gone, Annie notices while + entering the bus. She goes to the kitchen area.
      + There's a note on the table: "Will + be back at 6:30"
      Michelle looks at her watch.
      - It is 6:30.
      - I guess there's nothing to do but wait. + It is 6:30.
      + I guess there's nothing to do but wait. He'll show up soon enough. James chimes in.
      They place their bags full of found goodies on the floor and sit down around the table. @@ -88,7 +88,7 @@ hard that it leaves tire marks on the road. Jack gets out and waves at them. He turns off the engine and walks to the front of the bus. Annie opens the door.
      - Where have you been?
      + Where have you been?
      Jack has misremembered where they parked the bus so he was searching for them.

      diff --git a/zy-Landing_Troubles.html b/zy-Landing_Troubles.html index 47545db..34edbda 100644 --- a/zy-Landing_Troubles.html +++ b/zy-Landing_Troubles.html @@ -6,7 +6,7 @@ a jolt. Honestly, I have no idea what it is like to enter the atmosphere. Needs research. The displays on the control panel flicker and start showing random symbols. Error messages start - scrolling over the screen. Uh oh. + scrolling over the screen. Uh oh.

      Emily stares at the control panel for a moment trying to think. She grabs @@ -27,6 +27,6 @@ pumps, grabs the throttle lever, and pushes it all the way forward. Nothing happens. She looks back at the notes - did she miss anything? She flips the switch off and on again. - Nononononooo... + Nononononooo...

      diff --git a/zz--end.html b/zz--end.html index bd6db82..e791552 100644 --- a/zz--end.html +++ b/zz--end.html @@ -92,25 +92,25 @@

      The alarm on Jack's watch interrupts them. He presses one of the buttons and says:
      - It's time. Emily will be entering the + It's time. Emily will be entering the atmosphere right about now.
      They get up. James pulls a pair of binoculars out of his bag. Jack does the same. Annie looks at both of them - her face clearly showing her disappointment.
      - Don't worry, I gotchu. says Jack as he - pulls a second pair out of his bag before they start walking towards the - edge. + Don't worry, I gotchu. says Jack + as he pulls a second pair out of his bag before they start walking + towards the edge.

      Michelle and James are already leaning against the railing and looking towards the sky. Jack and Annie join them. Jack takes a compass out of his pocket and briefly looks at it. Then, he points in a direction in the sky and says:
      - The pod should appear somewhere around there. -
      + The pod should appear somewhere around + there.
      James hands his binoculars to Michelle for a moment.
      - I see it! There! she exclaims before handing - them back to him. + I see it! There! she exclaims before + handing them back to him.

      The capsule looks like a tiny, red glowing dot in the sky, slowly @@ -122,8 +122,8 @@

      Around the 15 minute mark, Jack notices that it has moved almost above them.
      - That's a bit too close for comfort - and way - too fast. he says.
      + That's a bit too close for comfort - and + way too fast. he says.
      Parts appear to be breaking off from the pod. They watch the last couple minutes of the fall realizing that something has seriously gone wrong. It plummets into the city, shaking the ground slightly, and taking @@ -132,23 +132,25 @@ rain out of the sky in a mix of awe and shock.

      - Guys, over there! Michelle points into the - sky behind them. A parachute...
      + Guys, over there! Michelle points into + the sky behind them. A parachute... +
      reaction needed
      They watch as it disappears between the buildings.

      Annie walks over to Jack's bag and, on a hunch, unpacks the radio he had insisted on bringing.
      - Maybe, she can hear us from here...
      + Maybe, she can hear us from here... +
      She swiches it on and turns the frequency dial until the needle is in the position that Jack had marked.
      - Emily, can you hear us? Are you okay? + Emily, can you hear us? Are you okay? Might benefit from proper radio protocol
      They hear a slightly distorted but clearly happy response through the noise:
      - Yes... Yes. I'm alive... I made it. + Yes... Yes. I'm alive... I made it.