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		|  | @ -15,15 +15,9 @@ html { | |||
| 
 | ||||
| body { | ||||
|   margin: 0 auto; | ||||
|   width: 100%; | ||||
|   width: 90%; | ||||
|   min-height: 100%; | ||||
| } | ||||
| @media screen and (min-width: 48rem) { | ||||
|   body { | ||||
|     width: 90%; | ||||
|   } | ||||
| } | ||||
| 
 | ||||
| 
 | ||||
| /* TODO: media query, use entire width on small viewports */ | ||||
| 
 | ||||
|  | @ -48,17 +42,12 @@ p, pre, ul { | |||
|   margin-right: auto; | ||||
|   margin-bottom: 0.9em; | ||||
| 
 | ||||
|   width: 98%; | ||||
|   width: 80%; | ||||
|   max-width: 720px; | ||||
| 
 | ||||
|   list-style-position: inside; | ||||
|   list-style-type: disclosure-closed; | ||||
| } | ||||
| @media screen and (min-width: 48rem) { | ||||
|   p, ul { | ||||
|     width: 80%; | ||||
|   } | ||||
| } | ||||
| 
 | ||||
| li ul { | ||||
|   margin-left: 2em; | ||||
|  | @ -94,24 +83,8 @@ p.copyright { | |||
| } | ||||
| 
 | ||||
| pre { | ||||
|   max-width: 80ch; | ||||
|   width: 80ch; | ||||
|   font-size: 0.9rem; | ||||
|   overflow: scroll; | ||||
| 
 | ||||
|   /* | ||||
|     Workaround for extending off screen on small viewports bc I cba | ||||
|     to figure it out properly | ||||
|   */ | ||||
|   width: 90%; | ||||
| } | ||||
| @media screen and (min-width: 48rem) { | ||||
|   pre { | ||||
|     /* | ||||
|       Get rid of scrollbars on browsers that show them regardless of | ||||
|       whether the content fits on screen or not | ||||
|     */ | ||||
|     overflow: visible; | ||||
|   } | ||||
| } | ||||
| 
 | ||||
| pre.terminal { | ||||
|  |  | |||
|  | @ -15,18 +15,18 @@ | |||
|   blue. <span class="comment">note: make it a theme that the metro is | ||||
|   always yellow and red</span> The only person inside is the guy who had | ||||
|   called out to her, turning away from the door he had just opened. | ||||
|   His Neotek jacket flaps in the air as he runs towards the other end of | ||||
|   the train – that has to be Jack. The motors begin to hum while | ||||
|   Annie is still running towards the open door. She jumps inside as the | ||||
|   train starts moving back in the direction it came from. The door closes | ||||
|   just after leaving the platform. | ||||
|   His Neotek jacket flaps in the air as he runs to the other end of the | ||||
|   train – that has to be Jack. The motors begin to hum while Annie | ||||
|   is still running towards the open door. She jumps inside as the train | ||||
|   starts moving back in the direction it came from. The door closes just | ||||
|   after leaving the platform. | ||||
| </p> | ||||
| <p> | ||||
|   The train accelerates with a force stronger than anything she has ever | ||||
|   felt before. The motors scream, the entire train rattles. While making | ||||
|   her way to the front, she looks outside. The city flies by. The horn | ||||
|   sounds as the train barrels through the next station. The platform | ||||
|   appears, is visible just long enough to see the astonished faces of | ||||
|   sounds as the train barrels though the next station. The platform | ||||
|   appears, is visible for just long enough to see the astonished faces of | ||||
|   the onlookers, and disappears again. | ||||
| </p> | ||||
| <p> | ||||
|  | @ -71,20 +71,16 @@ | |||
|   blueprints, manuals, everything we could find.</span><br /> | ||||
|   <span class="quote speech">Sounds good. Just put them in there for | ||||
|   now.</span><br /> | ||||
|   He gestures towards a small cabinet on the wall behind them. | ||||
|   Annie places the pile on top of a few books and binders already | ||||
|   inside. | ||||
| </p> | ||||
| <p> | ||||
|   The train barrels through another station. Jack decelerates slowly, | ||||
|   saying:<br /> | ||||
|   He gestures towards a small cabinet in the back of the driver's | ||||
|   cabin. Annie places the pile on top of a few books and binders that are | ||||
|   already in there. The train barrels through another station. Jack slowly | ||||
|   decelerates the train.<br /> | ||||
|   <span class="quote speech">We're almost at your drop-off point, next | ||||
|   station is Crystal Park ... uhhh ... and we might have a problem.</span> | ||||
|   <br /> | ||||
|   The train is going around a long curve overseeing the park and the | ||||
|   square in front of the station. <Grandpa's friend>'s car | ||||
|   is there, surrounded by police cruisers with flashing lights and open | ||||
|   doors.<br /> | ||||
|   The train is going around a long curve overseeing the park and square in | ||||
|   front of the station. <Grandpa's friend>'s car is there, | ||||
|   surrounded by police cruisers with flashing lights and open doors.<br /> | ||||
|   <span class="quote speech">What do we do now?</span><br /> | ||||
|   <span class="quote speech">Well I'm sure as fuck not staying around | ||||
|   to see what they're up to down there.</span> Jack says while | ||||
|  | @ -93,15 +89,15 @@ | |||
| </p> | ||||
| <p> | ||||
|   They pass a couple more stations before the train runs over a switch and | ||||
|   gets suddenly jolted to the left. It rocks side to side for a moment. | ||||
|   They are now heading straight for the outer wall of the dome. | ||||
|   gets suddenly jolted to the side. The train rocks side to side for a | ||||
|   moment. They are now heading straight for the outer wall of the dome. | ||||
|   The airlock, now in view, is rapidly coming closer. The inner | ||||
|   <span class="quote non-speech">B33FY-AF</span> door is wide open. | ||||
|   Technicians and police are standing around it in small groups, trying | ||||
|   to figure out how and why it had opened. The ramps connecting the streets | ||||
|   below to the airlock are full of parked transporters and police cars. | ||||
|   Some are even on the tracks but the one Annie and Jack are approaching | ||||
|   on is mostly clear. He sounds the horn. | ||||
|   ‘B33FY-AF' door is wide open. Technicians and police are | ||||
|   standing around it in small groups, trying to figure out why and how | ||||
|   it had opened. The ramps connecting the street below to the airlock are | ||||
|   full of parked transporters and police cars. Some are even on the tracks | ||||
|   but the one Annie and Jack are approaching on is mostly clear. | ||||
|   He sounds the horn. | ||||
| </p> | ||||
| <p> | ||||
|   <span class="quote speech">Hold on to something!</span> Jack slams on the | ||||
|  | @ -116,12 +112,11 @@ | |||
|   of pressurized air and the <i>ka-chonk</i> of large machinery. | ||||
|   <span class="quote speech">Access authorized, cycling airlock, please | ||||
|   stand by</span>, announces an automated voice. The bunker door behind | ||||
|   them starts to move with a creaking noise. The | ||||
|   <span class="quote non-speech">keepers of order</span> that had started | ||||
|   to run into the airlock after the train stop and look around in | ||||
|   confusion. Everything around them turns to black. The only thing Annie | ||||
|   sees are the illuminated gauges on the control panel. More hissing of | ||||
|   pressurized air. | ||||
|   them starts to move with a squeaking noise. The ‘keepers of | ||||
|   order' that had started to run after the train into the airlock | ||||
|   stop and look around in confusion. Everything around them turns to black. | ||||
|   The only thing Annie sees are the illuminated gauges on the control | ||||
|   panel. More hissing of pressurized air. | ||||
| </p> | ||||
| <p> | ||||
|   The train shakes slightly as it makes a noise that sounds like a | ||||
|  | @ -135,8 +130,8 @@ | |||
|   <span class="quote speech">Everything okay? You look puzzled.</span> | ||||
|   Jack looks at her.<br /> | ||||
|   <span class="quote speech">What's this weird noise?</span><br /> | ||||
|   <span class="quote speech">The generator. The electrified tracks end | ||||
|   at the air lock so the train has to generate its own power.</span> | ||||
|   <span class="quote speech">The generator. There's no power out here | ||||
|   so the train itself has to generate it to drive.</span> | ||||
| </p> | ||||
| <p> | ||||
|   The police start banging on the outside of the train and yell something. | ||||
|  | @ -147,16 +142,15 @@ | |||
|   joins in with the noise of the generator. | ||||
| </p> | ||||
| <p> | ||||
|   Jack sets the train in motion again.<br /> | ||||
|   <span class="quote speech">In a few minutes, it's gonna get very | ||||
|   bright.</span> he says while driving into the tunnel. | ||||
|   <span class="quote speech">In a couple minutes, it's gonna get very | ||||
|   bright.</span> Jack says while driving the train into the tunnel. | ||||
|   <span class="quote speech">Close your eyes if it's too bright. It | ||||
|   might take a while to get used to the sunlight.</span><br /> | ||||
|   might take a while to get used to the sun.</span><br /> | ||||
|   The train begins to move up a slight incline. An automated announcement | ||||
|   comes on:<br /> | ||||
|   <span class="quote speech">Dear passengers, welcome to the combined | ||||
|   Sentinel Shores and Ivydale local transit zone! Please keep in mind | ||||
|   that the last train returning to Sunside Cove for today | ||||
|   that the last train returning to <underground city> for today | ||||
|   departs from Ivydale South at 10:15PM. Enjoy your travel!</span> | ||||
| </p> | ||||
| <p> | ||||
|  | @ -182,7 +176,7 @@ | |||
|   out any details, they roll into another tunnel. The automated voice | ||||
|   comes on again:<br /> | ||||
|   <span class="quote speech">We are now approaching Ivydale South. Your | ||||
|   next connections are Metro line 7 to Ivydale Distillery from platform 5, | ||||
|   next connections are line 7 to Ivydale Distillery from platform 5, | ||||
|   HST1511 to Siren's Edge from platform 14, HST815 to Nova Metropolis | ||||
|   from platform 11. This train will continue on line 5 to | ||||
|   Sentinel Shores Sea Market via Ivydale West, | ||||
|  | @ -190,8 +184,8 @@ | |||
|   After a moment, Jack says quietly:<br /> | ||||
|   <span class="quote speech">I wonder how much of these places is | ||||
|   left...</span> Raising his voice back to a normal level, he adds: | ||||
|   <span class="quote speech">But for now, we'll leave the train here | ||||
|   and head back to base.</span><br /> | ||||
|   <span class="quote speech">But for now, we'll head back to | ||||
|   base.</span><br /> | ||||
|   <span class="quote speech">Base?</span><br /> | ||||
|   <span class="quote speech">The bunker, we refer to it as our base of | ||||
|   operations.</span><br /> | ||||
|  |  | |||
|  | @ -5,20 +5,20 @@ | |||
|   The station is is much larger than any of the metro stations inside the | ||||
|   dome. It has many platforms. Portions of the tall roof, supported by | ||||
|   large stone pillars and rusty steel beams, have caved in and what's | ||||
|   still standing has holes. Rays of light poke through the roof and holes | ||||
|   in the walls. All of that is visually stunning but what really catches | ||||
|   still standing has holes. Rays of light poke through holes in the walls | ||||
|   and the roof. All of that is visually stunning but what really catches | ||||
|   Annie's eyes are the plants everywhere. Parts of the platforms are | ||||
|   densely covered in the thin, green blades of some plant giving them a | ||||
|   fuzzy look. Vines cling to the walls and pillars, crawl along gaps and | ||||
|   edges, and hang from the fringes of the caved in roof sections and rusty | ||||
|   beams. Moss grows on the rusted benches and trash cans. | ||||
|   edges, and hang from the rusty beams and the fringes of the caved in roof | ||||
|   sections. Moss grows on the rusted benches and trash cans. | ||||
| </p> | ||||
| <p> | ||||
|   Jack turns off the generator and decelerates the train. Clanging from | ||||
|   under the floor followed by the squeaking of the brakes. The train runs | ||||
|   over a bunch of bushes and tall flowers that have taken root on the | ||||
|   tracks before coming to a halt next to a staircase in the center of the | ||||
|   platform. | ||||
|   platform.<br /> | ||||
|   <span class="quote speech">Exit to the right</span>, Jack says in unison | ||||
|   with the automated voice while turning the switch for the doors. | ||||
|   He gestures towards the passenger area.<br /> | ||||
|  | @ -26,33 +26,31 @@ | |||
| </p> | ||||
| <p> | ||||
|   Annie walks over to the closest door and pushes the button. Pressurized | ||||
|   air hisses and one half of it opens very slowly. She says: | ||||
|   <br /> | ||||
|   air hisses and one half of it opens very slowly.<br /> | ||||
|   <span class="quote speech">This door has probably seen better | ||||
|   days.</span><br /> | ||||
|   <span class="quote speech">Everything out here has seen better days | ||||
|   – except for the plants...</span><br /> | ||||
|   – except for the plants. They're thriving.</span><br /> | ||||
|   <span class="quote speech">There are so many of them.</span><br /> | ||||
|   They step out onto the platform. Annie breathes the warm air. It smells | ||||
|   They step out onto the platform. Annie  breathes the warm air. It smells | ||||
|   of the run-over plants. Insects are buzzing around, and the wind rustles | ||||
|   through the leaves. She crouches down and touches the carpet of green | ||||
|   fuzziness.<br /> | ||||
|   <span class="quote speech">Grass. It grows pretty much everywhere – | ||||
|   usually much taller than this though.</span><br /> | ||||
|   She looks up at him.<br /> | ||||
|   <span class="quote speech">I'm surprised the plants grow in | ||||
|   <span class="comment">fix this</span> | ||||
|   <span class="quote speech">I'm surprised that anything grows in | ||||
|   here.</span><br /> | ||||
|   <span class="quote speech">Pretty much every building in the area is | ||||
|   overgrown. That's what happens when you don't maintain them: | ||||
|   Nature takes over. By the way...</span><br /> | ||||
|   He helps her up.<br /> | ||||
|   <span class="quote speech">Welcome to the outside world. Wanna take a | ||||
|   quick look around?</span><br /> | ||||
|   <span class="quote speech">Pretty much every building out here is | ||||
|   overgrown. By the way: Welcome to the outside world. Wanna take a quick | ||||
|   look around?</span><br /> | ||||
|   She gets up.<br /> | ||||
|   <span class="quote speech">Sure.</span><br /> | ||||
|   Jack uses a key to close the door and they get going. | ||||
| </p> | ||||
| <p> | ||||
|   The two walk down the flight of stairs in the center of the platform, | ||||
|   The two walk down the flight of stairs in the center of the platform | ||||
|   taking them to an underpass. The floor is covered in water so they follow | ||||
|   a ledge on the side. Jack leads Annie up the stairs to the last platform. | ||||
|   From there, they step outside through a side entrance. | ||||
|  | @ -65,13 +63,13 @@ | |||
|   <br /> | ||||
|   Jack chuckles. <span class="quote speech">Well... No. Only during the | ||||
|   day.</span><br /> | ||||
|   She looks around. They are standing on a balcony-like platform | ||||
|   Annie looks around. They are standing on a balcony-like platform | ||||
|   overlooking a city in a valley.<br /> | ||||
|   <span class="quote speech">Wooow</span>, she utters in astonishment. | ||||
|   <br /> | ||||
|   <span class="quote speech">Ivydale – or at least what remains of | ||||
|   <span class="quote speech">Ivydale - or at least what remains of | ||||
|   it.</span><br /> | ||||
|   Annie walks over to the rusted railing and goes to lean against it.<br /> | ||||
|   She walks over to the rusted railing and goes to lean against it.<br /> | ||||
|   <span class="quote speech">Don't lean on that.</span><br /> | ||||
|   <span class="quote speech">Why not?</span><br /> | ||||
|   She steps back.<br /> | ||||
|  | @ -90,7 +88,7 @@ | |||
| <p> | ||||
|   Cautiously stepping back to the edge, Annie looks down. Bushes overgrow | ||||
|   everything, covering the hillside below the tall sandstone wall of | ||||
|   the embankment the station is built on. The walls of small ruins and half | ||||
|   the embankment with the station. The walls of small ruins and half | ||||
|   fallen-in fences stick out here and there, and the bushes are interrupted | ||||
|   by what remains of roads, paths, and staircases. Small rivers cut | ||||
|   through the landscape. Annie looks up, into the distance: The ruins | ||||
|  | @ -110,9 +108,9 @@ | |||
| </p> | ||||
| <p> | ||||
|   After pointing out some other notable landmarks, Jack decides it is time | ||||
|   to go. He leads the way, walking towards the end of the station that | ||||
|   they arrived from. The balcony-like walkway connects to | ||||
|   a wide staircase down from the end of the embankment, where the rear part | ||||
|   to get going. He starts to lead the way, walking towards the side of the | ||||
|   station that they arrived from. The balcony-like walkway connects to | ||||
|   a wide staircase down from the end of the embankment where the rear part | ||||
|   of the station extends into the mountain. It leads to a collapsed bridge | ||||
|   next to a large waterfall. Annie marvels at the sheer amount of water | ||||
|   flowing by, something that she had never before seen. | ||||
|  | @ -126,6 +124,6 @@ | |||
|   <span class="comment">Something interesting needs to happen here.</span> | ||||
|   <br /> | ||||
|   They make their way across the fast-flowing river by stepping on large | ||||
|   stones in the water, and continue through the bushes towards the bunker. | ||||
|   stones in the water, and continue through the bushes towards Facility 53. | ||||
| </p> | ||||
| <p class="copyright">Copyright © 2023 Jan Danielzick (aka. BodgeMaster) – All rights reserved.</p><script>let spans = ["<span class=\"paper green\">", "<span>"]; let pre_texts = document.getElementsByTagName("pre"); for (let i = 0; i < pre_texts.length; i++) {if (pre_texts[i].className != "paper") continue; let lines = pre_texts[i].innerHTML.split("\n"); let result = ""; for (let j = 0; j < lines.length; j++) {result = result + spans[j%2] + lines[j] + " ".repeat(80-lines[j].length) + "</span>\n";} pre_texts[i].innerHTML = result;}</script></body></html> | ||||
|  |  | |||
|  | @ -1,17 +1,23 @@ | |||
| <!DOCTYPE html><html><head><title> Welcome Home </title><link rel="stylesheet" type="text/css" href="html_resources/style.css"></head><body><a href="index.html"><button class="back"><</button></a> | ||||
| <!DOCTYPE html><html><head><title> Welcom Home </title><link rel="stylesheet" type="text/css" href="html_resources/style.css"></head><body><a href="index.html"><button class="back"><</button></a> | ||||
| 
 | ||||
| <h1>Welcome Home</h1> | ||||
| <p class="comment"> | ||||
|   Annie and Jack arrive at the bunker. | ||||
|   Annie smells fire and is worried by that -> fire in dome city is always | ||||
|   a bad sign. | ||||
|   Michelle and Annie get introduced. | ||||
|   James shows up? | ||||
| </p> | ||||
| 
 | ||||
| <p> | ||||
|   <span class="quote speech">I smell fire.</span><br /> | ||||
|   <span class="quote speech">Yes, we're almost there.</span><br /> | ||||
|   Annie is slightly confused by his answer and how seemingly unfazed he is. | ||||
|   <br /> | ||||
|   <span class="quote speech">Don't you want to do something about | ||||
|   <span class="quote speech">Don't you want to do anything about | ||||
|   it?</span><br /> | ||||
|   <span class="quote speech">Fires out here aren't all bad news. | ||||
|   Sometimes, they are, but I'm gonna guess this one's our | ||||
|   campfire.</span> | ||||
|   <span class="quote speech">Fires out here aren't generally bad news. | ||||
|   Sometimes, they are, but this one is our campfire.</span> | ||||
| </p> | ||||
| <p> | ||||
|   They walk over a ridge, revealing a view of the small valley beyond. | ||||
|  | @ -24,9 +30,11 @@ | |||
|   They make their way across and Jack introduces Michelle and Annie to each | ||||
|   other.<br /> | ||||
|   <span class="quote speech">So you join us out here after all?</span><br /> | ||||
|   <span class="quote speech">Things kinda went south quickly.</span></br /> | ||||
|   They all sit down around the fire and Annie recounts the events of the | ||||
|   recent past. <span class="comment">Idk, something needs | ||||
|   <span class="quote speech">Well, I'd rather be here unprepared than | ||||
|   in <span class="comment">prison? jail?</span>. Things kinda went south | ||||
|   quickly.</span></br /> | ||||
|   They all sit down around the fire. Annie recounts the events of the recent | ||||
|   past and things going wrong. <span class="comment">Idk, something needs | ||||
|   to happen here. They start making food or whatever.</span> | ||||
| </p> | ||||
| <p> | ||||
|  |  | |||
|  | @ -3,47 +3,40 @@ | |||
| <h1>Telescope</h1> | ||||
| <p> | ||||
|   Michelle says: <span class="quote speech">I know the way.</span><br /> | ||||
|   Jack extends his hand with the keys.<br /> | ||||
|   <span class="quote speech">Wanna drive?</span><br /> | ||||
|   <span class="quote speech">Wanna drive?</span> <span class="comment">make | ||||
|   it clear that Jack says this</span><br /> | ||||
|   <span class="quote speech">Sure.</span><br /> | ||||
|   She takes them and the four get in the truck. A few moments later, | ||||
|   Michelle pulls onto the road in front of the bunker.<br /> | ||||
|   The four of them get in the truck and she pulls onto the road in front of | ||||
|   the bunker.<br /> | ||||
|   James asks: <span class="quote speech">How far is it?</span><br /> | ||||
|   <span class="quote speech">A decent bit. Used to be about an hour on the | ||||
|   highway. If it's in even somewhat decent shape, I'd say | ||||
|   we're gonna make it there in about that time.</span><br /> | ||||
|   She turns right at an intersection onto the on-ramp, saying:<br /> | ||||
|   <span class="quote speech">Gonna find out very soon...</span> | ||||
|   <span class="quote speech">A decent bit. About an hour if the highway is | ||||
|   in good shape.</span> She turns right at an intersection onto the | ||||
|   on-ramp <span class="comment">Is that a word? I'm 80% sure...</span> | ||||
|   of said highway.<br /> | ||||
|   <span class="quote speech">We're gonna find out very soon...</span> | ||||
|   she adds. | ||||
| </p> | ||||
| <p> | ||||
|   The pavement is cracked and has potholes, and the highway is partially | ||||
|   overgrown but, despite this, its condition is somehow good enough. | ||||
|   Michelle floors it and the remains of the city outskirts flies by. | ||||
|   Within a few minutes, they make it out of Ivydale, leaving its valley | ||||
|   behind. The mountains make way for an area of plains and | ||||
|   <span class="comment">low, smooth</span> hills. She takes an exit onto | ||||
|   another highway. The large, rusty signs above it still indicate the | ||||
|   proximity of Sentinel Shores where they haven't faded completely. | ||||
|   The highway has potholes and is partially overgrown but its condition is | ||||
|   somehow good enough to drive fast. Michelle floors it and the city | ||||
|   outskirts fly by. Within a couple minutes, they make it out of Ivydale, | ||||
|   leaving its valley behind. The mountains make way for an area of plains. | ||||
|   Michelle takes an exit onto another highway. The large, rusty signs above | ||||
|   the road still indicate the proximity of Sentinel Shores where they | ||||
|   haven't faded completely. | ||||
| </p> | ||||
| <p> | ||||
|   The highway takes them north, around the western part of Ivydale's | ||||
|   lower side. After a while, they approach what used to be the outskirts of | ||||
|   Sentinel Shores and Michelle takes an exit, getting them onto a rural | ||||
|   road. The observatory is located on a hill, now ahead of them; a small | ||||
|   group of buildings in the distance. | ||||
|   <span class="comment">What symbol to put where that semicolon is? | ||||
|   Keep the semicolon? A comma? A dash?</span> | ||||
| </p> | ||||
| <p> | ||||
|   As they get closer, the buildings take distinct shapes. Two of them stand | ||||
|   out: The one in the center holds a large geodesic dome and another one off | ||||
|   to the side <span class="comment">elegant description of an optical | ||||
|   observatory?</span>. The other buildings look mostly unremarkable. | ||||
|   lower side. After a while, they approach Sentinel Shores and Michelle | ||||
|   takes an exit onto a rural road. The observatory is located on a hill | ||||
|   ahead of them. It's a small group of buildings around a large round | ||||
|   building with a dome for a roof. Off to the side is a group of four | ||||
|   towers, three of them still holding small geodesic domes. | ||||
| </p> | ||||
| <p> | ||||
|   Michelle parks the truck on what remains of the large paved area between | ||||
|   the buildings and they get out. Trees and bushes grow all over the place, | ||||
|   some even out of the windows and through the roofs of the buildings. | ||||
|   some even out of the windows of the buildings. | ||||
| </p> | ||||
| <p class="comment"> | ||||
|   What now? They start exploring but where to they begin? | ||||
|  |  | |||
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		Reference in New Issue