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	| Author | SHA1 | Date | 
|---|---|---|
|  BodgeMaster | 655708d235 | |
|  BodgeMaster | 5a71ef30cc | |
|  BodgeMaster | 0f768ae21c | |
|  BodgeMaster | 45e84338bd | 
|  | @ -55,7 +55,7 @@ | |||
|   door properly... Doesn't matter, too late now. | ||||
| </p> | ||||
| <p> | ||||
|   As he passes each of the presevation chambers, he looks into them. Empty, | ||||
|   As he passes each of the preservation chambers, he looks into them. Empty, | ||||
|   empty, empty - nothing unexpected here. The others would have been woken | ||||
|   up over time. His own chamber... He presses a few buttons to fully shut | ||||
|   it down. The lamp in the ceiling turns off, the door closes, the status | ||||
|  |  | |||
|  | @ -126,13 +126,12 @@ Thank you. Appreciate it. | |||
|   are arranged in a strange order... Annie looks around. Lots of cables, | ||||
|   a pile of paper, an empty cup, some pens and pencils, a screwdriver and | ||||
|   other tools, a rubber duck – what an odd place to find a rubber | ||||
|   duck... A phone! She picks it up – no signal. <span class="comment"> | ||||
|   Freizeichen?</span> Weird. Maybe, it isn't connected. She looks on | ||||
|   the floor and, sure enough, there is the plug – not for much | ||||
|   longer as she finds a phone socket and plugs it in. Strange electrical | ||||
|   noises. She tries to dial a number but nothing happens. She drops the | ||||
|   receiver on the cradle and turns back to the terminal. A couple random | ||||
|   characters appear. | ||||
|   duck... A phone! She picks it up – no dial tone. Weird. Maybe, it | ||||
|   isn't connected. She looks on the floor and, sure enough, there is | ||||
|   the plug – not for much longer as she finds a phone socket and | ||||
|   plugs it in. Strange electrical noises. She tries to dial a number but | ||||
|   nothing happens. She drops the receiver on the cradle and turns back to | ||||
|   the terminal. A couple random characters appear. | ||||
| </p> | ||||
| <pre class="terminal"> | ||||
| %s;  i cant call anyone the phone is only making weird noises | ||||
|  | @ -163,7 +162,7 @@ AgriWorks Login: █ | |||
| <p> | ||||
|   Annie is greeted by the friendly voice of an old man. After | ||||
|   <span class="comment">a short exchange of "Hello, how are | ||||
|   you?"</span>, she begins explain the situation. He interrupts her | ||||
|   you?"</span>, she begins to explain the situation. He interrupts her | ||||
|   while relaying what Jack had written:<br /> | ||||
|   <span class="quote speech">Cryo Facility? Are you sure?</span><br /> | ||||
|   <span class="quote speech">Yes, it says here: Cryo Facility 53.</span><br /> | ||||
|  | @ -353,10 +352,10 @@ AgriWorks Login: █ | |||
| <p> | ||||
|   Annie reaches the corner. She looks left and right before crossing the | ||||
|   street but not a single car is in sight. As she enters the station and | ||||
|   walks up the stairs, she glances at the display - 21 minutes until the | ||||
|   walks up the stairs, she glances at the display – 21 minutes until the | ||||
|   next train arrives, that's a long wait... The station is completely | ||||
|   devoid of life, nobody else is out here this late. Annie walks up to the | ||||
|   vending machine at the upper end of the staircase - | ||||
|   vending machine at the upper end of the staircase – | ||||
|   <span class="quote non-speech">OUT OF ORDER</span>... Hrm. | ||||
|   Mildly frustrated, she sits down on one of the benches and and starts | ||||
|   rummaging in her bag. She finds her headphones and puts them on. At the | ||||
|  |  | |||
|  | @ -167,7 +167,7 @@ | |||
|   you're here, we were about to discuss the call we had | ||||
|   yesterday.</span><br /> | ||||
|   He introduces Annie and the othe group members and everyone sits down | ||||
|   at the table. Karl <span class="comment">ergreift das Wort</span>: | ||||
|   at the table. Then, addressing Annie, he begins to speak: | ||||
| </p> | ||||
| <p class="quote speech"> | ||||
|   <span class="comment">TODO: whole paragraph speech formatting</span> | ||||
|  | @ -212,7 +212,7 @@ | |||
|   He reaches into his pocket and pulls out a key chain.<br /> | ||||
|   <span class="quote speech">If you want, you can try getting it - I | ||||
|   can't because I disappeared from a birthday party with an excuse | ||||
|   and they are probably waiting for me to be back.</span><br /> | ||||
|   and they're waiting for me to be back.</span><br /> | ||||
|   He places the keys in the center of the table.<br /> | ||||
|   Karl says: <span class="quote speech">I would love to, but I'm | ||||
|   afraid I can't run if things go south.</span><br /> | ||||
|  |  | |||
|  | @ -85,8 +85,8 @@ | |||
|   <span class="quote speech">Maybe this one?</span> | ||||
|   She points at a key switch with multiple positions.<br /> | ||||
|   <span class="quote speech">Only one way to find out.</span><br /> | ||||
|   Isabelle grabs the keys and hands them to her. One of them fits and | ||||
|   turns. | ||||
|   Isabelle grabs the keys and tries them one by one until one of them fits | ||||
|   and turns. | ||||
| </p> | ||||
| <p> | ||||
|   Fans come on; they hear the loud noise of air rushing through the | ||||
|  | @ -108,7 +108,12 @@ | |||
|   and to enter something into the terminal. And then there's a list | ||||
|   of hints and commands that might help us, and | ||||
|   <span class="quote non-speech">Good luck!</span>...</span><br /> | ||||
|   Isabelle pushes the buttons and they walk over to the terminal. | ||||
|   Isabelle pushes the buttons and Annie walks over to the terminal. | ||||
| </p> | ||||
| <p class="comment"> | ||||
|   missing section, probably a <pre class="terminal"> | ||||
|   where Annie, following the steps, enters a few hex codes followed by | ||||
|   "hd2,vminux" | ||||
| </p> | ||||
| <p> | ||||
|   After a lot of typing into the terminal and figuring things out the hard | ||||
|  | @ -139,10 +144,9 @@ | |||
|   struggles for a moment to get onto the crate. After she finally manages | ||||
|   to get up, Isabelle pulls her through the window - not a moment too soon. | ||||
|   <br /> | ||||
|   <span class="quote speech">You, stop!</span>, <span class="comment"> | ||||
|   rephrase!!</span> a man yells at them from inside, | ||||
|   <span class="quote speech">Stay where you are!</span><br /> | ||||
|   They start running. <br /> | ||||
|   <span class="quote speech">Stop! Stay where you are!</span>, a man yells | ||||
|   at them from inside.<br /> | ||||
|   They start running.<br /> | ||||
|   <span class="quote speech">I'm gonna catch you.</span> | ||||
| </p> | ||||
| <p> | ||||
|  | @ -150,17 +154,19 @@ | |||
|   ledge on the side of a building, helping Annie up after herself. They | ||||
|   continue running on the ledge until reaching a wall at the end of the | ||||
|   alley. Isabelle jumps, grabs hold of the railing at the top, pulls | ||||
|   herself up, and climbs over it. <br /> | ||||
|   <span class="quote speech">Wait here.</span> She disappears. <br /> | ||||
|   Annie looks around nervously. What if she was caught now? <br /> | ||||
|   herself up, and climbs over it.<br /> | ||||
|   <span class="quote speech">Wait here.</span><br /> | ||||
|   She disappears. Annie looks around nervously. What if she was caught now? | ||||
|   <br /> | ||||
|   A moment later, Isabelle returns with a ladder. Annie climbs up and | ||||
|   pulls it up after herself. Isabelle takes it and stashes it on the other | ||||
|   side of the embankment. They find themselves on the metro tracks. | ||||
|   Annie looks around nervously.<br /> | ||||
|   <span class="quote speech">We need to get off of here.</span><br /> | ||||
|   <span class="quote speech">It's fine, we'll hear any approaching | ||||
|   train long before we see it.</span> Isabelle points towards a close by | ||||
|   station and says <span class="quote speech">Central Square</span>.<br /> | ||||
|   <span class="quote speech">It's fine, we'll hear any train | ||||
|   long before we see it.</span> Isabelle points towards a close-by | ||||
|   station and says <span class="quote speech">Central Square</span>. | ||||
|   <br /> | ||||
|   They run towards it along the tracks. Just as they make their way onto | ||||
|   the platform, the rails start ringing.<br /> | ||||
|   Isabelle says with a smirk on her face: | ||||
|  |  | |||
|  | @ -80,7 +80,7 @@ | |||
|   potatoes. Want some?</span><br /> | ||||
|   <span class="quote speech">Now that you ask, I'm slowly getting | ||||
|   hungry. Did you make your usual spicy dip?</span><br /> | ||||
|   <span class="quote speech">Yup.</span><br /> | ||||
|   <span class="quote speech">Well, as best I could...</span><br /> | ||||
|   He gets up and walks over to the kitchen area, grabs a small bowl filled | ||||
|   with a dark red-ish paste, and sets it on the table.<br /> | ||||
|   <span class="quote speech">I had to improvise a little due to | ||||
|  | @ -91,8 +91,9 @@ | |||
|   <span class="quote speech">The flakes they left us just aren't | ||||
|   the same as fresh peppers. I had to add <i>a lot</i> to get even close | ||||
|   to the usual spiciness.</span><br /> | ||||
|   He grabs the <span class="comment">Backblech?</span> with potatoes | ||||
|   and puts it back in the oven to re-heat. | ||||
|   <!-- Or maybe, I just like pain lately. --> | ||||
|   He grabs the baking sheet with potatoes and puts it back in the oven to | ||||
|   re-heat. | ||||
| </p> | ||||
| <p> | ||||
|   After the meal, they go to the bunker entrance and Jack opens the door | ||||
|  | @ -109,8 +110,7 @@ | |||
|   The two decide to walk up to a <span class="comment">crest? ridge?</span> | ||||
|   not far from them on the other side of the valley. Beyond it is Ivydale, | ||||
|   once a large city housing just over a million people – only one of | ||||
|   <span class="comment">who? whom? which?</span> remains to behold its | ||||
|   overgrown ruins. | ||||
|   whom remains to behold its overgrown ruins. | ||||
|   <br /> | ||||
|   <span class="comment">Jack is from Sentinel Shores.</span><br /> | ||||
|   Michelle says: <span class="quote speech">I mean I knew it already but | ||||
|  | @ -123,12 +123,13 @@ | |||
|   After a long while, she says: <span class="quote speech">Okay, | ||||
|   let's go take a look at that uplink.</span><br /> | ||||
|   The two get up and walk back towards the bunker, looking for a path | ||||
|   somewhere to the left of it.<br /> | ||||
|   Jack points to a structure a decent bit up the mountain and says: | ||||
|   <span class="quote speech">I think that's it.</span><br /> | ||||
|   somewhere to the left of it. Jack points to a structure a decent bit up | ||||
|   the mountain.<br /> | ||||
|   He says: <span class="quote speech">I think that's one of | ||||
|   the staircases.</span><br /> | ||||
|   <span class="quote speech">Oh wow, there isn't much left.</span> | ||||
|   <br /> | ||||
|   Jack points at a few other things below it.<br /> | ||||
|   Jack points at a few other things below it: | ||||
|   <span class="quote speech">I think these are also part of it.</span> | ||||
| </p> | ||||
| <p> | ||||
|  | @ -143,9 +144,9 @@ | |||
|   the uplink is down – it literally ...<i>is down</i>...</span> | ||||
|   <br /> | ||||
|   Michelle reaches the edge and and sees what Jack had stopped for: | ||||
|   A large <span class="comment">wash?</span> extends downwards | ||||
|   from the top of the mountain where a landslide had left nothing but | ||||
|   a cliff and a huge pile of rubble. At the top of the mountain, teetering | ||||
|   A landslide and the erosion afterwards had left a deep wash extending | ||||
|   downwards from the top of the mountain, leaving nothing but a cliff and | ||||
|   a huge pile of rubble. At the top of the mountain, teetering | ||||
|   on the edge, are two buildings – all that's left of the ground | ||||
|   station. The rest of the buildings and the dish lay strewn around | ||||
|   in pieces down below. | ||||
|  |  | |||
|  | @ -16,8 +16,7 @@ | |||
|   She runs back. Platform 6 is nowhere to be seen. | ||||
| </p> | ||||
| <p> | ||||
|   Someone grabs her by | ||||
|   the shoulder.<br /> | ||||
|   Someone grabs her by the shoulder.<br /> | ||||
|   <span class="quote speech">Michelle?</span><br /> | ||||
|   She opens her eyes and lifts her head, looking around in confusion. | ||||
|   It's dark. A tiny bit of flickering light illuminates the room | ||||
|  | @ -93,5 +92,14 @@ | |||
|   for this wonderful dialog. :)<br /> | ||||
|   I'm not sure if I should keep it though, because this isn't | ||||
|   gonna go anywhere.</span> | ||||
|   <!-- | ||||
|     Jack's reaction could possibly be modified to be explicitly | ||||
|     non-romantic. | ||||
| 
 | ||||
|     Or break the fourth wall and say: | ||||
|       "Editor's note: Yup, they cringed about it." | ||||
|     I would rather not do that though, at least not without it being a | ||||
|     <span class="comment"> which is not part of the story. | ||||
|   --> | ||||
| </p> | ||||
| <p class="copyright">Copyright © 2023-2025 Jan Danielzick (aka. BodgeMaster) – All rights reserved.</p><script>let spans = ["<span class=\"paper green\">", "<span>"]; let pre_texts = document.getElementsByTagName("pre"); for (let i = 0; i < pre_texts.length; i++) {if (pre_texts[i].className != "paper") continue; let lines = pre_texts[i].innerHTML.split("\n"); let result = ""; for (let j = 0; j < lines.length; j++) {if (lines[j].length >= 80) result = result + spans[j%2] + lines[j] + "</span>\n"; else result = result + spans[j%2] + lines[j] + " ".repeat(80-lines[j].length) + "</span>\n";} pre_texts[i].innerHTML = result;}</script></body></html> | ||||
|  |  | |||
|  | @ -48,7 +48,7 @@ going with this so I'll just leave it in here, commented out. | |||
|   to the fuel pressure gauge, slightly raising his voice to talk over | ||||
|   the engine:<br /> | ||||
|   <span class="quote speech">That's progress already.</span><br /> | ||||
|   The needle on the gauge slowly creeps to the right.<br /> | ||||
|   The needle on the gauge slowly creeps towards the right.<br /> | ||||
|   <span class="quote speech">Too slow though</span>, he adds after a | ||||
|   moment.<br /> | ||||
|   He holds the button for a while, the engine keeps turning over, | ||||
|  |  | |||
|  | @ -156,10 +156,15 @@ | |||
|   might take a while to get used to the sunlight.</span><br /> | ||||
|   The train begins to move up a slight incline. An automated announcement | ||||
|   comes on:<br /> | ||||
|   <span class="quote speech">Dear passengers, welcome to the combined | ||||
|   Sentinel Shores and Ivydale local transit zone! Please keep in mind | ||||
|   that the last train returning to Sunside Cove for today | ||||
|   departs from Ivydale South at 10:15PM. Enjoy your travel!</span> | ||||
|   <span class="quote speech">Welcome to the combined Sentinel Shores | ||||
|   and Ivydale regional transit zone! Please note: the last train back to | ||||
|   Sunside Cove departs from Ivydale South at 8:15PM. | ||||
|   We wish you a pleasant journey.</span> | ||||
|   <!-- | ||||
|   Herzlich willkommen im Verkehrsverbund Sentinel Shores und Efeuthal! | ||||
|   Bitte beachten Sie: Der letzte Zug zurück nach Sunside Cove fährt | ||||
|   um 20:15 Uhr. Wir wünschen Ihnen eine gute Reise. | ||||
|   --> | ||||
| </p> | ||||
| <p> | ||||
|   The train leans into a curve; Annie hears the screeching of the wheels | ||||
|  | @ -186,9 +191,17 @@ | |||
|   <span class="quote speech">We are now approaching Ivydale South. Your | ||||
|   next connections are Metro line 7 to Ivydale Distillery from platform 5, | ||||
|   HST1511 to Siren's Edge from platform 14, HST815 to Nova Metropolis | ||||
|   from platform 11. This train will continue on line 5 to | ||||
|   Sentinel Shores Sea Market via Ivydale West, | ||||
|   from platform 11. This train terminates here and will continue as line 5 | ||||
|   to Sentinel Shores Sea Market via Ivydale West, | ||||
|   Sentinel Shores Central Station.</span><br /> | ||||
|   <!-- | ||||
|   Wir erreichen in Kürze: Efeuthal Südbahnhof. Ihre nächsten Anschlüsse: | ||||
|   S7 nach Efeuthal Brauereiviertel von Bahnsteig 5, HST1511 nach | ||||
|   Siren's Edge von Bahnsteig 14, HST815 nach Nova Metropolis | ||||
|   von Bahnsteig 11. Dieser Zug endet hier und fährt weiter als S5 nach | ||||
|   Sentinel Shores Fischermarkt über Efeuthal Westkreuz, | ||||
|   Sentinel Shores Hauptbahnhof. Ausstieg in Fahrtrichtung rechts. | ||||
|   --> | ||||
|   After a moment, Jack says quietly:<br /> | ||||
|   <span class="quote speech">I wonder how much of these places is | ||||
|   left...</span> Raising his voice back to a normal level, he adds: | ||||
|  |  | |||
|  | @ -2,7 +2,7 @@ | |||
| 
 | ||||
| <h1> First Steps Outside</h1> | ||||
| <p> | ||||
|   The station is is much larger than any of the metro stations inside the | ||||
|   The station is much larger than any of the metro stations inside the | ||||
|   dome. It has many platforms. Portions of the tall roof, supported by | ||||
|   large stone pillars and rusty steel beams, have caved in and what's | ||||
|   still standing has holes. Rays of light poke through the roof and holes | ||||
|  | @ -123,16 +123,13 @@ | |||
|   to follow. After what feels like an eternity, she manages to get half-way | ||||
|   down the wall.<br /> | ||||
|   <span class="quote speech">You can jump from there.</span><br /> | ||||
|   <span class="quote speech">Are you sure? <span class="comment">translate: | ||||
|   Ich trau mich nicht.</span></span><br /> | ||||
|   <span class="quote speech">Are you sure?</span><br /> | ||||
|   <span class="quote speech">Just don't try to land standing up. | ||||
|   <span class="comment">Winkel' Deine Knie etwas an</span> and | ||||
|   you'll be fine.</span><br /> | ||||
|   Bend your knees a bit and you'll be fine.</span><br /> | ||||
|   Annie hesitates. She climbs down another one of the sandstone blocks. | ||||
|   She looks down, looks back to the wall, looks down again, and finally | ||||
|   pushes herself off. Annie lands <span class="comment">adverb?</span> | ||||
|   and Jack helps her up. They make their way across the fast-flowing river | ||||
|   by stepping on large stones in the water, and continue through the bushes | ||||
|   towards the bunker. | ||||
|   pushes herself off. She lands with a heavy thud and Jack helps her up. | ||||
|   They make their way across the fast-flowing river by stepping on large | ||||
|   stones in the water, and continue through the bushes towards the bunker. | ||||
| </p> | ||||
| <p class="copyright">Copyright © 2023-2025 Jan Danielzick (aka. BodgeMaster) – All rights reserved.</p><script>let spans = ["<span class=\"paper green\">", "<span>"]; let pre_texts = document.getElementsByTagName("pre"); for (let i = 0; i < pre_texts.length; i++) {if (pre_texts[i].className != "paper") continue; let lines = pre_texts[i].innerHTML.split("\n"); let result = ""; for (let j = 0; j < lines.length; j++) {if (lines[j].length >= 80) result = result + spans[j%2] + lines[j] + "</span>\n"; else result = result + spans[j%2] + lines[j] + " ".repeat(80-lines[j].length) + "</span>\n";} pre_texts[i].innerHTML = result;}</script></body></html> | ||||
|  |  | |||
|  | @ -32,8 +32,7 @@ | |||
|   <span class="comment">research todo: radio protocol</span><br /> | ||||
|   <span class="quote speech">Michelle, we're just entering the | ||||
|   valley.</span><br /> | ||||
|   <span class="quote speech">We? Someone came along?</span><br /> | ||||
|   <span class="comment">wording? translate: mitgekommen</span><br /> | ||||
|   <span class="quote speech">We? You got company?</span><br /> | ||||
|   <span class="quote speech">Annie.</span><br /> | ||||
|   <span class="quote speech">I see. Am cooking – any food allergies | ||||
|   or other dietary restrictions I should watch out for?</span><br /> | ||||
|  | @ -64,8 +63,6 @@ | |||
|   more minutes and reach the bunker. As they approach, the person they saw | ||||
|   earlier – presumably Michelle – comes out of the bunker and | ||||
|   adds some ingredients to a pot on a tripod over the flames. | ||||
|   <span class="comment">Is there a word for these metal rings with three | ||||
|   legs?</span> | ||||
|   Jack introduces the two to each other – it <i>is</i> Michelle. | ||||
|   <br /> | ||||
|   <span class="quote speech">So you join us out here after all?</span> | ||||
|  | @ -83,11 +80,10 @@ | |||
|   <span class="quote speech">Is that a dog? There's a dog here!</span> | ||||
|   <br /> | ||||
|   A medium-sized, brown dog runs out, sniffs them all, barks and then runs | ||||
|   off on the road, disappearing around a <span class="comment">translate: | ||||
|   Felsvorsprung</span>. A moment later, it comes back, followed by a guy | ||||
|   wearing a long, dark green coat that has been patched a few times. | ||||
|   He is wearing a backpack and holds a long staff, using it as a | ||||
|   <span class="comment">Wanderstab? Cane?</span>. | ||||
|   off on the road, disappearing around an outcrop. A moment later, it | ||||
|   comes back, followed by a guy wearing a long, dark green coat that has | ||||
|   been patched a few times. He is wearing a backpack and holds a long | ||||
|   staff, using it as a walking stick. | ||||
| </p> | ||||
| <p> | ||||
|   The stranger says: <span class="quote speech">Good evening!</span><br /> | ||||
|  |  | |||
|  | @ -7,10 +7,9 @@ | |||
|   <span class="quote speech">Wanna drive?</span><br /> | ||||
|   <span class="quote speech">Sure.</span><br /> | ||||
|   He puts the map back, hands her the keys, and the four get in the truck. | ||||
|   James joins Michelle in the front and has Dora jump in | ||||
|   <span class="comment">translate: in seinen Fußraum</span>, Annie | ||||
|   and Jack take the rear seats. A few moments later, Michelle pulls onto | ||||
|   the street in front of the bunker.<br /> | ||||
|   James joins Michelle in the front and has Dora jump into the footwell at | ||||
|   his feet, Annie and Jack take the rear seats. A few moments later, | ||||
|   Michelle pulls onto the street in front of the bunker.<br /> | ||||
|   James asks her: <span class="quote speech">How far is it?</span><br /> | ||||
|   <span class="quote speech">A decent bit. Used to be about an hour on the | ||||
|   highway. If it's in even somewhat decent shape, I'd say | ||||
|  | @ -52,9 +51,9 @@ | |||
|   one off to the side behind it is a smooth round dome with a slot cut out | ||||
|   of it for a telescope to peek through. Well, it <i>was</i> smooth at one | ||||
|   point – now, it has many holes with a tree growing out of the | ||||
|   largest one. The geodesic dome has ivy vines clinging to it but looks | ||||
|   otherwise surprisingly intact. The other buildings look like mostly | ||||
|   unremarkable ruins in various stages of decay. | ||||
|   largest one. The geodesic dome is partially covered in ivy vines but | ||||
|   looks otherwise intact. The other buildings look like mostly unremarkable | ||||
|   ruins in various stages of decay. | ||||
| </p> | ||||
| <p> | ||||
|   Michelle says:<br /> | ||||
|  | @ -73,7 +72,8 @@ | |||
|   <span class="quote speech">It works similarly, just for imaging a much | ||||
|   lower part of the electromagnetic spectrum. Stars give off a bunch more | ||||
|   than just visible light.</span><br /> | ||||
|   <span class="quote speech">Can we try that one?</span><br /> | ||||
|   <span class="quote speech">I have no idea what you just said but can we | ||||
|   try that one?</span><br /> | ||||
|   <span class="quote speech">A lot of things would have to go right for | ||||
|   that.</span> | ||||
| </p> | ||||
|  |  | |||
|  | @ -14,9 +14,8 @@ | |||
|   Lena shakes her head.<br /> | ||||
|   <span class="quote speech">I don't want to spend my remaining days | ||||
|   alone. Just don't do it, please.</span><br /> | ||||
|   Emily gets up and paces around the module. <span class="comment"> Is that | ||||
|   proper grammar?</span> Her eyes fall on the drawers in the adjacent | ||||
|   maintenance module. An idea forms in her head...<br /> | ||||
|   Emily gets up and paces around the module. Her eyes fall on the drawers | ||||
|   in the adjacent maintenance module. An idea forms in her head...<br /> | ||||
|   <span class="quote speech">Emily, where are you going?</span><br /> | ||||
|   She steps inside and rummages through a bunch of drawers, leaving them | ||||
|   open as she opens the next one.<br /> | ||||
|  |  | |||
|  | @ -49,9 +49,9 @@ | |||
|   roughly sorted into categories: | ||||
|   Hand tools, boxes full of hardware, household chemicals, bars of soap, | ||||
|   a few clocks and watches, books, and more. Half of the store seems to be | ||||
|   dedicated to food – though the shelves are mostly empty. | ||||
|   In the back is a counter. Jack is talking to the man behind it who | ||||
|   appears to be in his 60s.<br /> | ||||
|   dedicated to food – though these shelves are mostly empty. | ||||
|   In the back is a counter, overlooking the whole store. Jack is talking | ||||
|   to the man behind it who appears to be in his 60s.<br /> | ||||
|   The man says: <span class="quote speech">No, we don't sell food. | ||||
|   What you see there is strictly rationed. Since the <span class="comment" | ||||
|   >river name</span> has changed course, we don't even have enough | ||||
|  | @ -93,7 +93,7 @@ | |||
| <p> | ||||
|   While they wait, the small dog runs up again. They play fetch until | ||||
|   a group of people approaches, the man from the store among them. | ||||
|   A few handshakes later, Jack repeats his suggestion. A man in his 40s, | ||||
|   A few handshakes later, Jack repeats his pitch. A man in his 40s, | ||||
|   who seems to be in charge, says: | ||||
|   <span class="quote speech">Your intentions are ... ambitious. I doubt | ||||
|   you can do it but I don't see why we shouldn't let you try. | ||||
|  | @ -116,6 +116,9 @@ | |||
|   <span class="quote speech">We'll need at least two.</span><br /> | ||||
|   A few members of the group discuss among themselves for a moment. | ||||
|   Then, the one in charge turns to Jack again:<br /> | ||||
|   <span class="quote speech">If you can do it within two weeks, we'll | ||||
|   provide food for two months.</span><br /> | ||||
|   <span class="quote speech">Challenge accepted.</span><br /> | ||||
|   <span class="quote speech">Okay, we have a deal.</span><br /> | ||||
|   A few people keep questioning Jack and the feasibility of his idea.<br /> | ||||
|   <span class="quote speech">Ladies and gentlemen, whether it can be done | ||||
|  |  | |||
|  | @ -0,0 +1,76 @@ | |||
| <!DOCTYPE html><html><head><title> Fine Print </title><link rel="stylesheet" type="text/css" href="html_resources/style.css"></head><body><svg class="hidden_filter"><filter id="crunchy_blur" x="0" y="0"><feFlood x="4" y="4" height="2" width="2"/><feComposite width="6" height="6" in2="SourceGraphic"/><feTile result="a"/><feComposite in="SourceGraphic" in2="a" operator="in"/><feMorphology operator="dilate" radius="1.4"/><feGaussianBlur stdDeviation="2.2"></feGaussianBlur></filter></svg><div class="back"><a href="index.html"><</a></div> | ||||
| 
 | ||||
| <h1>Fine Print</h1> | ||||
| 
 | ||||
| <p> | ||||
|   <!-- | ||||
|     the fact that Mary sits in the front is already a given | ||||
|   --> | ||||
|   They drive on a dirt road alongside the dried-out <span class="comment"> | ||||
|   river name</span>. The road is in pretty poor condition and they get | ||||
|   shaken thoroughly.<br /> | ||||
|   Mary appears to be having a blast: | ||||
|   <span class="quote speech">Faster! Faster!</span><br /> | ||||
|   <span class="quote speech">I don't think Annie would appreciate | ||||
|   that.</span><br /> | ||||
|   <span class="quote speech">Aww.</span><br /> | ||||
|   Annie says <span class="quote speech">thanks</span> from the rear seats. | ||||
| </p> | ||||
| <p> | ||||
|   <!-- | ||||
|     assumptions: | ||||
|     - walking speed: 5km/h | ||||
|     - driving speed: 20 km/h | ||||
|     - walking time: 30 min | ||||
| 
 | ||||
|     -> distance is 2.5km | ||||
| 
 | ||||
|     -> speed = distance / time | ||||
|     -> time * speed = distance | ||||
|     -> time = distance / speed | ||||
| 
 | ||||
|     -> time = 2.5km / 20 km/h | ||||
|     -> time = 0.125h | ||||
|     -> time = 7.5 min | ||||
|   --> | ||||
|   After a bit less than ten minutes of driving, Mary points to a structure | ||||
|   extending into the river bed and says: | ||||
|   <span class="quote speech">That's it.</span><br /> | ||||
|   Jack pulls over and parks the truck, and they get out. They walk through | ||||
|   the tall grass towards the structure. A bridge further upstream catches | ||||
|   Jack's attention.<br /> | ||||
|   <span class="quote speech">Is that a road or a railway?</span><br /> | ||||
|   Mary says: <span class="quote speech">Railway – why?</span><br /> | ||||
|   <span class="quote speech">What's the condition like?</span><br /> | ||||
|   <span class="quote speech">Not sure, it's been a while... | ||||
|   We used to play there as kids, we even got a railcar to move once.</span> | ||||
|   <br /> | ||||
|   <span class="quote speech">Sounds like serviceable enough to me. Do you | ||||
|   know where it goes?</span><br /> | ||||
|   <span class="quote speech">There's a train station a bit that way, | ||||
|   with a bunch of other ruins in the area.</span><br /> | ||||
|   <span class="quote speech">And the other direction?</span><br /> | ||||
|   <span class="quote speech">I don't know. We followed it pretty far, | ||||
|   the only thing we found is a switch.</span><br /> | ||||
|   <span class="quote speech">Okay. Would be incredibly useful if that ended | ||||
|   up somewhere in Ivydale.</span> | ||||
| </p> | ||||
| <p> | ||||
|   They reach the structure. It's the entrance to a tunnel | ||||
|   with a few walls that pertrude into the river and two | ||||
|   <span class="comment">weers? translate: Stauwehre / Wehre</span>, one for | ||||
|   controlling the <span class="comment">inflow? tanslate: Zufluss</span>, | ||||
|   one for a bypass. The floor of the tunnel sits significantly beneath | ||||
|   the river bed and, while the river bed is completely dry, there is still | ||||
|   some water inside. | ||||
|    | ||||
|   <!-- | ||||
|     - trockenes Wehr am Einlass | ||||
|     - water in the tunnel | ||||
|     - bridge nearby | ||||
|     - look at the large buried tank / branching point | ||||
|     - go upstream to see where the river has gone | ||||
|   --> | ||||
| </p> | ||||
| 
 | ||||
| <p class="copyright">Copyright © 2023-2025 Jan Danielzick (aka. BodgeMaster) – All rights reserved.</p><script>let spans = ["<span class=\"paper green\">", "<span>"]; let pre_texts = document.getElementsByTagName("pre"); for (let i = 0; i < pre_texts.length; i++) {if (pre_texts[i].className != "paper") continue; let lines = pre_texts[i].innerHTML.split("\n"); let result = ""; for (let j = 0; j < lines.length; j++) {if (lines[j].length >= 80) result = result + spans[j%2] + lines[j] + "</span>\n"; else result = result + spans[j%2] + lines[j] + " ".repeat(80-lines[j].length) + "</span>\n";} pre_texts[i].innerHTML = result;}</script></body></html> | ||||
|  | @ -29,21 +29,26 @@ | |||
|   over there – and preferably without trees growing out of | ||||
|   it...</span><br /> | ||||
|   He points to a small excavator that sits askew on a thick tree trunk | ||||
|   that had grown thrugh the floor and out the side. | ||||
|   <span class="comment">Do these tiny excavators with large glass cabs | ||||
|   have a specific name?</span><br /> | ||||
|   that had grown through the floor and out the side. | ||||
|   <span class="comment">Compact excavator? Tiny excavator?</span><br /> | ||||
|   James asks: <span class="quote speech">Why not just use this one? | ||||
|   What's wrong with it?</span><br /> | ||||
|   <span class="quote speech">This thing's just done for. Apart from it | ||||
|   being a pile of rust, it's missing its tracks <span class="comment"> | ||||
|   treads?</span>, the hydraulics for moving the bucket, and it looks like | ||||
|   the inside of the cab got completely dismantled.</span><br /> | ||||
|   being a pile of rust, it's missing its tracks, the hydraulics for | ||||
|   moving the bucket, and it looks like the inside of the cab got completely | ||||
|   dismantled.</span><br /> | ||||
|   They take a quick look at the other machines around them. There is the | ||||
|   other, much smaller excavator, a <span class="comment">Kipper?</span>, | ||||
|   a <span class="comment">Wie heißt diese Maschine mit | ||||
|   Förderband, die Material sortiert?</span>, and two | ||||
|   <span class="comment">Radlader? Baccos?</span>. All of them are rusted | ||||
|   beyond repair and missing integral parts.<br /> | ||||
|   other, much smaller excavator, a dump truck, a <span class="comment"> | ||||
|   what's the name of that machine with a conveyor belt that sorts | ||||
|   large rocks and rubble from sand? | ||||
|   <!-- | ||||
|     ChatGPT says "screening plant" but also refers to it as a | ||||
|     "vibrating belt sorter". Research that. | ||||
|     It also gives a good description of what it does: | ||||
|     "splits rubble into chunks, fines, and dust." | ||||
|   --> | ||||
|   </span>, and two loaders. All of them | ||||
|   are rusted beyond repair and missing integral parts.<br /> | ||||
| </p> | ||||
| <p> | ||||
|   A bit further down the valley, they approach a much larger collection of | ||||
|  | @ -56,10 +61,9 @@ | |||
|   <span class="quote speech">So these machines dug out the dome?</span> | ||||
|   <br /> | ||||
|   <span class="quote speech">Well... no. That was mostly done using | ||||
|   explosives, conveyor belts, and trains. They used <span class="comment"> | ||||
|   Radlader? Baccos?</span> to load stuff onto the conveyors but most of | ||||
|   the machines here were used in construction after the digging was | ||||
|   done.</span><br /> | ||||
|   explosives, conveyor belts, and trains. They used loaders to get the | ||||
|   stuff onto conveyors but most of the machines here were used in | ||||
|   construction after the digging was done.</span><br /> | ||||
| </p> | ||||
| <p class="comment"> | ||||
|   research that needs to be done: | ||||
|  | @ -74,15 +78,31 @@ | |||
|   Annie calls the others over to one of the buildings.<br /> | ||||
|   <span class="quote speech">Look what I found...</span><br /> | ||||
|   Michelle arrives before Jack and she laughs. He arrives a moment | ||||
|   later and peeks inside. There sits a <span class="comment"> | ||||
|   cable shovel?</span>, partially covered in rubble from the caved-in | ||||
|   roof – rusty but surprisingly intact.<br /> | ||||
|   later and peeks inside. There sits a cable shovel, partially covered | ||||
|   in rubble from the caved-in roof – rusty but surprisingly intact. | ||||
|   <br /> | ||||
|   Jack says: <span class="quote speech">That's ... uhhh ... kind of | ||||
|   a historical artifact.</span><br /> | ||||
|   <!-- | ||||
|   "I mean, everything here is a historical artifact." | ||||
|   "Fair enough, but this especially so." | ||||
| 
 | ||||
|   There is also a kinda small hydraulic excavator. | ||||
|   They decide to make both work. | ||||
|    --> | ||||
| 
 | ||||
|   This is for another chapter but here is a list of things they might do: | ||||
|   - strip parts off of other machines | ||||
|   - modify or create parts at the Ivydale train yard | ||||
|   - swap out a beyond-repair engine - with a different one that | ||||
|     doesn't fit ofc | ||||
|   - weld things to the machines for botched but improved | ||||
|     structural integrity | ||||
|   - maybe come up with an alternative for hydraulic fluid if it isn't too | ||||
|     far fetched, alternatively scavenge it from other machines or trade | ||||
|     for it | ||||
|   - find a grabber attachment for the excavator | ||||
|   - DIY electronics | ||||
|   --> | ||||
| </p> | ||||
| <p> | ||||
|   <span class="comment">missing section</span> | ||||
|  |  | |||
|  | @ -40,10 +40,10 @@ | |||
| </p> | ||||
| <p> | ||||
|   After a while, she gets it loose and it falls towards her. | ||||
|   She struggles to keep her balance for a moment as the cover lands wedged | ||||
|   between her legs and the central <span class="comment">post? beam?</span> | ||||
|   holding the dish. With some effort, she manages to wrangle it to th other | ||||
|   side of the cable.<br /> | ||||
|   She struggles to keep her balance for a moment as the cover lands | ||||
|   wedged between her legs and the central support beam holding the dish. | ||||
|   With some effort, she manages to wrangle it to the other side of the | ||||
|   cable.<br /> | ||||
|   <span class="quote speech">James, Annie, can you catch this? Careful, | ||||
|   it's heavy.</span><br /> | ||||
|   The two stand across from each other and extend their arms. Michelle | ||||
|  |  | |||
|  | @ -13,22 +13,21 @@ | |||
|   said.<br /> | ||||
|   <span class="quote speech">...ohhhhh. Congrats!</span><br /> | ||||
|   The guards grab her by the arms and drag her away.<br /> | ||||
|   <span class="quote speech">Move.</span> | ||||
|   <span class="quote speech">Move!</span> | ||||
| </p> | ||||
| <p> | ||||
|   They bring her to a room adjacent to the main court room where a bunch | ||||
|   of important-looking people in suits are waiting for her. They introduce | ||||
|   themselves and they all, including herself, sit down around a somewhat | ||||
|   large table. One of the suits takes the word:<br /> | ||||
|   <span class="comment">Does that work in English?</span><br /> | ||||
|   large table. One of the suits addresses her:<br /> | ||||
|   <span class="quote speech">Before you go to trial, we have something | ||||
|   to discuss with you. You are being accused of breaking and entering, | ||||
|   robbery, interfering with law enforcement, compromising operationally | ||||
|   critical systems, and conspiracy of terrorism. Some of these charges | ||||
|   alone will land you in prison for a long time – unless you take | ||||
|   this deal...</span><br /> | ||||
|   He grabs few sheets of paper from his bag <span class="comment"> | ||||
|   Aktentasche?</span> and slides them over.<br /> | ||||
|   He grabs few sheets of paper from his briefcase and slides them over. | ||||
|   <br /> | ||||
|   <span class="quote speech">Basically admit to everything you're | ||||
|   accused of and you will be banished instead of going to prison.</span> | ||||
|   <br /> | ||||
|  | @ -46,8 +45,7 @@ | |||
|   <span class="quote speech">And in practical terms?</span><br /> | ||||
|   Another one of the suits answers: | ||||
|   <span class="quote speech">There is an ongoing power outage to parts | ||||
|   of the city. We will have to send a group of people | ||||
|   <span class="comment">delegation?</span> outside to fix it. | ||||
|   of the city. We will have to send an expedition outside to fix it. | ||||
|   You will join them and not return.</span><br /> | ||||
|   She looks back at the pages.<br /> | ||||
|   <span class="quote speech">Okaay.</span><br /> | ||||
|  |  | |||
|  | @ -175,7 +175,7 @@ | |||
|   thinking about them. She walks to the <span class="comment">???</span> | ||||
|   module and lays down on the floor staring into the sky. | ||||
|   <span class="comment">This module has to be described at some point | ||||
|   before this. It has panorama windows to all sides and a glass ceiling. | ||||
|   </span> | ||||
|   before this. It has panorama windows to all sides and a ceiling of large | ||||
|   glass panels.</span> | ||||
| </p> | ||||
| <p class="copyright">Copyright © 2023-2025 Jan Danielzick (aka. BodgeMaster) – All rights reserved.</p><script>let spans = ["<span class=\"paper green\">", "<span>"]; let pre_texts = document.getElementsByTagName("pre"); for (let i = 0; i < pre_texts.length; i++) {if (pre_texts[i].className != "paper") continue; let lines = pre_texts[i].innerHTML.split("\n"); let result = ""; for (let j = 0; j < lines.length; j++) {if (lines[j].length >= 80) result = result + spans[j%2] + lines[j] + "</span>\n"; else result = result + spans[j%2] + lines[j] + " ".repeat(80-lines[j].length) + "</span>\n";} pre_texts[i].innerHTML = result;}</script></body></html> | ||||
|  |  | |||
|  | @ -6,7 +6,7 @@ | |||
|   drrrrrrrrinnng | ||||
| </p> | ||||
| <p> | ||||
|   Emily finds herself laying on the floor, still staring into the sky. | ||||
|   Emily finds herself lying on the floor, still staring into the sky. | ||||
|   She has no idea how long she had been laying here, but it must have been | ||||
|   many hours. | ||||
| </p> | ||||
|  | @ -34,11 +34,11 @@ | |||
| </p> | ||||
| <p> | ||||
|   <span class="quote speech">On my way, I'm on my way.</span> she | ||||
|   says in a soft <span class="comment">matten?</span> voice as she starts | ||||
|   walking. The phone rings a few more times but stops before she can make | ||||
|   it there. She enters the main control room and heads over to the | ||||
|   communications section where she finds the terminal lit up. She sits | ||||
|   down and, without reading the message there, starts typing. | ||||
|   says in a soft, faint voice as she starts walking. The phone rings a few | ||||
|   more times but stops before she can make it there. She enters the main | ||||
|   control room and heads over to the communications section where she finds | ||||
|   the terminal lit up. She sits down and, without reading the message | ||||
|   there, starts typing. | ||||
| </p> | ||||
| <pre class="terminal"> | ||||
| <span class="blur">Incoming connection. This is blurred text. You shouldn't be able to read it.</span> | ||||
|  | @ -65,7 +65,7 @@ MICHELLE @ EARTH-53 <b>></b> Ok. Ctrl+B us a few times when you're back. | |||
|   rack. She hesitates for a moment before grabbing one. With the other | ||||
|   hand, she opens the tap. It starts spitting a brown liquid with clumps. | ||||
|   <span class="quote speech">Ugh.</span> She opens it up fully and waits | ||||
|   for the water to clear up – and then waits a bit more just to be | ||||
|   for the water to clear up – and then waits a bit longer just to be | ||||
|   sure. Finally, she fills up the beaker and takes a cautious sip. | ||||
|   Tastes fine. | ||||
| </p> | ||||
|  |  | |||
|  | @ -5,10 +5,10 @@ | |||
| <p> | ||||
|   <span class="quote speech">Good morning, Annie! Pancakes are ready.</span> | ||||
|   <br /> | ||||
|   Jack takes his hand off her shoulder. She pushes herself up from her bed | ||||
|   and looks around in confusion. James is driving the bus on a surprisingly | ||||
|   very intact highway through a seemingly endless landscape of sand and | ||||
|   sparse vegetation. The sun is already high up in the sky and | ||||
|   Jack takes his hand off her shoulder. She pushes herself up from | ||||
|   her bed and looks around in confusion. James is driving the bus on | ||||
|   a surprisingly very intact highway through a seemingly endless landscape | ||||
|   of sand and sparse vegetation. The sun is already high in the sky and | ||||
|   yesterday's mountains are in the distance far behind them. Jack goes | ||||
|   to wake up Michelle, then he tells James who stops the bus and turns off | ||||
|   the engine. | ||||
|  | @ -20,18 +20,15 @@ | |||
|   He also places a few jars on the table: | ||||
|   Honey, Chocco <span class="comment">TODO: Add an advert for Chocco | ||||
|   somewhere earlier in the story. It's the in-universe equivalent | ||||
|   of Nutella.</span>, and cinnamon with sugar <span class="comment">Is that | ||||
|   combination as ubiquitous worldwide as it is in Germany? If so, does it | ||||
|   have a proper name?</span>. James gets up from the driver's seat and Dora | ||||
|   follows him, wagging her tail. They all sit down around the table, | ||||
|   including Dora who sits on the floor and <span class="comment">macht | ||||
|   große augen</span>.<br /> | ||||
|   <span class="comment">What is the English command for a dog to lay | ||||
|   down?</span> | ||||
|   of Nutella.</span>, and cinnamon sugar. James gets up from the driver's | ||||
|   seat and Dora follows him, wagging her tail. They all sit down around | ||||
|   the table, including Dora who sits on the floor and gives them big puppy | ||||
|   eyes.<br /> | ||||
|   <span class="quote speech">Dora, down.   Good girl!</span> | ||||
| </p> | ||||
| <p> | ||||
|   Michelle asks: <span class="quote speech">So when are we gonna reach | ||||
|   the <mining company> pit?</span><br /> | ||||
|   the <span class="comment">mining company</span> pit?</span><br /> | ||||
|   Jack looks at James. James tilts his head slightly and shrugs.<br /> | ||||
|   <span class="quote speech">Like five hours ago?</span><br /> | ||||
|   <!-- Jack's shift until midnight, James' shift until 6AM, plan was for | ||||
|  | @ -66,8 +63,8 @@ | |||
| </p> | ||||
| <p> | ||||
|   James returns inside and yawns.<br /> | ||||
|   <span class="quote speech">The idea of a nap is very entising | ||||
|   <span class="comment">spelling?</span> right about now...</span><br /> | ||||
|   <span class="quote speech">The idea of a nap is very enticing right | ||||
|   about now...</span><br /> | ||||
|   Michelle says: <span class="quote speech">Well, you've earned | ||||
|   it.</span><br /> | ||||
|   <span class="quote speech">Thinking about it but not yet...</span><br /> | ||||
|  |  | |||
|  | @ -11,11 +11,10 @@ | |||
| <p> | ||||
|   Michelle gets her attention: <span class="quote speech">Look, almost | ||||
|   there!</span><br /> | ||||
|   She getures to the left. Annie leans out of her seat and back to see what | ||||
|   Michelle is pointing to. An undefined shape is visible in the far | ||||
|   distance. Michelle takes an exit onto another highway in that direction. | ||||
|   After not too long, the undefined shape turns into the unmistakable | ||||
|   skyline of a large city. | ||||
|   She gestures to the left. Annie looks in the direction. An undefined | ||||
|   shape is visible in the far distance. Michelle takes an exit onto another | ||||
|   highway towards it. After not too long, the undefined shape turns into | ||||
|   the unmistakable skyline of a large city. | ||||
| </p> | ||||
| <p> | ||||
|   They pass a huge sign with completely washed-out colors that still | ||||
|  | @ -32,7 +31,7 @@ | |||
|   <span class="quote speech">Why are you going so slow?</span><br /> | ||||
|   <span class="quote speech">Im going exactly speed limit - 50 km/h.</span> | ||||
|   <br /> | ||||
|   <span class="quote speech">50? That's faster than the speed limit in | ||||
|   <span class="quote speech">50? That's faster than the speed limit in | ||||
|   Sunside Cove yet this feels so slow...</span><br /> | ||||
|   Michelle chuckles.<br /> | ||||
|   <span class="quote speech">This is what it feels like coming off the | ||||
|  | @ -43,8 +42,8 @@ | |||
|   The buildings around them get taller and taller. The mix of smaller and | ||||
|   medium-sized houses turns into blocks of five-story buildings which in | ||||
|   turn turn into blocks of even taller buildings until the sides are lined | ||||
|   with sky scrapers with facades of glass, concrete, and steel towering | ||||
|   over over the road. Annie points them out:<br /> | ||||
|   with skyscrapers with facades of glass, concrete, and steel towering | ||||
|   over the road. Annie points them out:<br /> | ||||
|   <span class="quote speech">Looks like this was all abandoned just | ||||
|   recently. Not even a smashed window.</span><br /> | ||||
|   <span class="quote speech">Over there.</span><br /> | ||||
|  | @ -60,7 +59,8 @@ | |||
|   is Nova Metropolis. Well, all of them but Jack.<br /> | ||||
|   Michelle says: <span class="quote speech">I thought sleep was for | ||||
|   the weak?</span><br /> | ||||
|   <span class="quote speech">I'm just gonna own that one today.</span><br /> | ||||
|   <span class="quote speech">I'm just gonna own that one today.</span> | ||||
|   <br /> | ||||
|   He throws himself onto his bed, not even making an effort to lay down in | ||||
|   a comfortable position. His words are muffled through the mattres: | ||||
|   <span class="quote speech">Good night.</span> | ||||
|  |  | |||
|  | @ -1,9 +1,8 @@ | |||
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| <h1>Landing Troubles</h1> | ||||
| <p> | ||||
|   The escape pod <span class="comment">Is there a word that makes this sound | ||||
|   more like it's the technical term?</span> enters the atmosphere with | ||||
|   a jolt. <span class="comment">Honestly, I have no idea what it is like to | ||||
|   The emergency escape vehicle enters the atmosphere with a jolt. | ||||
|   <span class="comment">Honestly, I have no idea what it is like to | ||||
|   enter the atmosphere. Needs research.</span> The displays on the control | ||||
|   panel flicker and start showing random symbols. Error messages start | ||||
|   scrolling over the screen. <span class="quote speech">Uh oh.</span> | ||||
|  | @ -15,13 +14,14 @@ | |||
|   keyboard. The screen clears and shows the word "HALTED". | ||||
|   <!-- TODO: replace this with SPARCstation Stop+A --> | ||||
|   Then, she flips a bunch of switches to unlock the controls. Clicking and | ||||
|   clanging under the control panel. <span class="comment">Throttle lever and | ||||
|   position controls start floating</span> Looking at the next page of her | ||||
|   notes, she realizes that the order has been messed up. Again, she | ||||
|   scrambles through the pages until she finds the next instructions. | ||||
|   "Wait until the external pressure gauge reads <xyz> and release | ||||
|   the heat shield." She looks at the analog gauges at the top of the | ||||
|   panel - there it ts. <less than xyz value>. | ||||
|   clanging under the control panel. The throttle levers and position | ||||
|   controls start floating. Looking at the next page of her notes, she | ||||
|   realizes that the order has been messed up. Again, she scrambles through | ||||
|   the pages until she finds the next instructions. | ||||
|   <span class="quote non-speech">Wait until the external pressure gauge | ||||
|   reads <span class="comment">xyz</span> and release the heat shield.</span> | ||||
|   She looks at the analog gauges at the top of the panel - there it is. | ||||
|   <span class="comment">barely less than xyz value</span>. | ||||
| </p> | ||||
| <p> | ||||
|   The shield detaches with a bang. Emily flips the switch for the fuel | ||||
|  |  | |||
							
								
								
									
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							|  | @ -63,9 +63,8 @@ | |||
|   Michelle interrupts the silence: <span class="quote speech">Guys, over | ||||
|   there!</span> She points into the sky behind them. | ||||
|   <span class="quote speech">A parachute...</span><br /> | ||||
|   <span class="comment">Jack: She has more luck than sense.</span><br /> | ||||
|   <span class="comment">reaction needed – something along the lines | ||||
|   of "Sie hat mehr Glück als Verstand"</span><br /> | ||||
|   Jack says: <span class="quote speech">This girl has more luck than | ||||
|   sense.</span><br /> | ||||
|   They watch as it disappears between the buildings. | ||||
| </p> | ||||
| <p> | ||||
|  | @ -73,14 +72,14 @@ | |||
|   Jack had insisted on bringing.<br /> | ||||
|   <span class="quote speech">Maybe, she can hear us from here...</span> | ||||
|   <br /> | ||||
|   She hooks up the battery, flips the power switch, and turns the frequency | ||||
|   dial until the needle is in the position that Jack had marked.<br /> | ||||
|   She hooks up the battery, flips the power switch, and nudges the frequency | ||||
|   dial until the needle is in the position Jack had marked.<br /> | ||||
|   <span class="comment">Note to self: The battery is a car battery. Make | ||||
|   that clear at some point before this chapter. Maybe include the part where | ||||
|   Jack insists on bringing it.</span><br /> | ||||
|   <span class="quote speech">Emily, can you hear us? Are you okay?</span> | ||||
|   <br /> | ||||
|   They hear a slightly distorted but clearly happy response through the | ||||
|   They hear a slightly distorted but audibly relieved response through the | ||||
|   noise:<br /> | ||||
|   <span class="quote speech">Yes... Yes. I'm alive... I made it.</span> | ||||
|   <br /> | ||||
|  |  | |||
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