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27
ai_use.xt
27
ai_use.xt
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@ -1,27 +0,0 @@
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I take pride in writing New Dawn myself. No LLM output is used in
|
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the creative process. LLM output is never used directly.
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Unfortunately, I have to fall back to LLMs for feedback due to a lack of
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people reading my stuff. I don't like doing that, so please feel free to
|
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replace AI by reading everything thoroughly and giving feedback.
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Any feedback is welcome. The more extensive/detailed the better. Even if
|
||||
it's just a list of typos or "You stink, go take a shower"...
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|
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With that said, here is how I use AI:
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- start a new chat
|
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- paste prompt from below
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- paste HTML file
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- ignore suggestions on story content / events (if any)
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||||
- [optional] ask for more vocabulary / wording suggestions
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- take notes on
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- vocabulary suggestions (verify as needed)
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- wording suggeststions
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- flow issues (only where I agree with them)
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- reword wording suggestions in my own words
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- revise chapters
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Prompt:
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The following is a chapter taken from a larger work-in-progress story called New Dawn. Thoughts? Criticisms?
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Any HTML comments are notes to self, you can generally ignore those. <span class="comment"> are author's notes, usually where I need to work on stuff and want to give potential beta readers a heads-up. You can assume these will be addressed sooner or later and need no comment - except when they are vocabulary questions (English is not my first language).
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There are previous chapters, so some things will be missing context.
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35
ea-RTFM.html
35
ea-RTFM.html
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@ -7,10 +7,11 @@
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Annie arrives at a house with multiple ground-level entrances.
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She rings one of the doorbells and waits. Nobody answers. She checks
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that it is the right door – yes, this is grandpa Karl's
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apartment. She rings again. Still nothing. She hears a window being opened
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and Isabelle quietly calling her from one of the adjacent houses:<br />
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apartment. She rings again. A window on <span class="comment">in?</span>
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one of the adjacent houses opens and she hears Isabelle quietly calling
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her:<br />
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<span class="quote speech">Annie, we're over here.</span><br />
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She looks over, then walks up to the window.<br />
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She walks over.<br />
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<span class="quote speech">Which door?</span><br />
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<span class="quote speech">Number 15, I'll let you in.</span><br />
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</p>
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@ -18,38 +19,40 @@
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Lucas and Karl are also inside.
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<br />
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Karl says: <span class="quote speech">We needed a little more space.
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This place has been vacant forever, might as well use it.</span><br />
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This place has been <span class="comment">vacant</span> forever, might
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as well use it.</span><br />
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Annie slides her shoes off and leans her bag against the wall. Then,
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||||
they go into the living room where cables and computer parts are all over
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||||
the floor. Lucas sits in front of the rack between two opened boxes.
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The rack's side panels had been removed, revealing the devices
|
||||
mounted inside and the cables connecting them. Lucas is pushing a circuit
|
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board into a half-assembled metal box that hangs out the front. Karl goes
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over to a stool next to the rack, cautiously avoiding stepping on things,
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over to a stool next to the rack, carefully avoiding stepping on things,
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and sits down.
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</p>
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<p>
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Annie sits down on the floor next to Lucas and watches as he carefully
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inserts another board. Karl is reading from a binder of documentation
|
||||
and tells him to set some tiny switches on its front edge.<br />
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||||
Annie sits down next to Lucas and watches as he carefully
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<span class="comment">synonym for careful?</span> inserts another
|
||||
board. Karl is reading from a binder of documentation and tells him to
|
||||
set some tiny switches on its front edge.<br />
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While grabbing the next board, Lucas says:
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<span class="quote speech">Annie, can you take these and prepare the DIP
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switches?</span><br />
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He pushes the box over to her. It contains four circuit boards, all
|
||||
identical.<br />
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<span class="quote speech">Uhm, okay.</span>
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||||
She takes one out and looks at it closely. It's full of electronic
|
||||
components on both sides and one of the edges holds a tiny red box with
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||||
an even tinier row of switches on it.<br />
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||||
<span class="comment">Above is a meh description. Need naive description
|
||||
She takes one of the boards out and looks at it. It's full of
|
||||
electronic components on both sides and one of the edges holds a tiny red
|
||||
box with an even tinier row of switches on it.<br />
|
||||
<span class="comment">Above is a bad description. Need naive description
|
||||
of DIP switches from someone who doesn't know.</span><br />
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||||
<span class="quote speech">So what do I set them to?</span><br />
|
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Karl tells her a combination and she tries to push the switches up or
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down as needed with her finger nails.<br />
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||||
Lucas says <span class="quote speech">Here, use this.</span><br />
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||||
He hands her a ballpoint pen. Using it to flip the switches, she sets
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||||
the combination Karl says, then hands the board over to Lucas and grabs
|
||||
the next one.
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||||
Lucas says <span class="quote speech">Here, use this.</span> and hands
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||||
her a pen.<br />
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||||
Using it to flip the switches, she sets the combination Karl says, then
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||||
hands the board over to Lucas and grabs the next one.
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||||
</p>
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<p>
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Karl takes the racks's power cable and plugs it in. Isabelle gets
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|
|
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|||
|
|
@ -68,7 +68,7 @@
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|||
leave.</span><br />
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||||
Jack sits down across from her and retells everything that had happened,
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||||
starting with his preservaton chamber breaking down. It takes him about
|
||||
half an hour, including answering Michelle's questions.
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||||
half an hour, including answering Michelles questions.
|
||||
</p>
|
||||
<p>
|
||||
<span class="quote speech">How have you been dealing with food?
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||||
|
|
@ -108,10 +108,11 @@
|
|||
in front of the bunker.<br />
|
||||
<span class="comment">the scene where Jack opens the door should
|
||||
have a short description of the lay of the lands</span><br />
|
||||
The two decide to walk up to a ridge not far from them on the other side
|
||||
of the valley. Beyond it is Ivydale, once a large city housing just over
|
||||
a million people – only one of whom remains to behold its overgrown
|
||||
ruins.<br />
|
||||
The two decide to walk up to a <span class="comment">crest? ridge?</span>
|
||||
not far from them on the other side of the valley. Beyond it is Ivydale,
|
||||
once a large city housing just over a million people – only one of
|
||||
whom remains to behold its overgrown ruins.
|
||||
<br />
|
||||
<span class="comment">Jack is from Sentinel Shores.</span><br />
|
||||
Michelle says: <span class="quote speech">I mean I knew it already but
|
||||
seeing it like this just hits differently.</span><br />
|
||||
|
|
|
|||
|
|
@ -64,7 +64,7 @@ going with this so I'll just leave it in here, commented out.
|
|||
through the pages while Michelle jumps out and stops the generator.
|
||||
He begins to undo <span class="comment">knowledge gap here: How
|
||||
does that work? What do you undo to fix a gunked-up fuel injection?
|
||||
</span>
|
||||
Also, do/did diesel engines have a carb?</span>
|
||||
</p>
|
||||
<p>
|
||||
After <span class="comment">cleaning out gunk and doing some makeshift
|
||||
|
|
@ -109,11 +109,10 @@ going with this so I'll just leave it in here, commented out.
|
|||
<p>
|
||||
A few hours pass as they fix up a bunch of other small things around
|
||||
the train and put the floor panels back in. While climbing around the
|
||||
storage shelves in the hall, he finds a crate of dried-out lead-acid
|
||||
batteries. After adding some water and letting them sit for a while
|
||||
to dissolve the acid, he shoves them into the battery compartment and
|
||||
connects the cables.<br />
|
||||
<!-- Is hall the correct translation for Halle? -->
|
||||
storage shelves in the <span class="comment">hall/hangar?</span>, he
|
||||
finds a crate of dried-out lead-acid batteries. After adding some water
|
||||
and letting them sit for a while to dissolve the acid, he shoves them
|
||||
into the battery compartment and connects the cables.<br />
|
||||
<span class="quote speech">Michelle, can you turn the switch?</span>
|
||||
<br />
|
||||
<span class="quote speech">Nothing.</span><br />
|
||||
|
|
|
|||
|
|
@ -14,7 +14,7 @@
|
|||
She breaks out of her freeze. The train had turned out to be a single
|
||||
car. A single, slightly rusty railcar painted in shades of dark
|
||||
blue. <span class="comment">note: make it a theme that the metro is
|
||||
always yellow and red</span> The only person inside is the guy who
|
||||
always yellow and red</span> The only person inside is the guy who had
|
||||
called out to her, turning away from the door he had just opened.
|
||||
His Neotek jacket flaps in the air as he runs towards the other end of
|
||||
the train – that has to be Jack. The motors begin to hum while
|
||||
|
|
@ -114,7 +114,7 @@
|
|||
</p>
|
||||
<p>
|
||||
The screams of the police and technicians are drowned out by the hissing
|
||||
of pressurized air and the heavy clunk of large machinery.
|
||||
of pressurized air and the <i>ka-chonk</i> of large machinery.
|
||||
<span class="quote speech">Access authorized, cycling airlock, please
|
||||
stand by</span>, announces an automated voice. The bunker door behind
|
||||
them starts to move with a creaking noise. The
|
||||
|
|
|
|||
|
|
@ -20,21 +20,18 @@
|
|||
</p>
|
||||
<p>
|
||||
The pavement is cracked and has potholes, and the highway is partially
|
||||
overgrown. Despite this, its condition is somehow good enough.
|
||||
overgrown but, despite this, its condition is somehow good enough.
|
||||
Michelle floors it and the truck rattles and shakes as it accelerates
|
||||
on the uneven asphalt. James is occupied with calming down Dora for
|
||||
<!-- "calming down" / just "calming"? -->
|
||||
a moment. Eventually, even though she is really too big for that, he
|
||||
takes her on his lap so she can look outside. He looks back up.<br />
|
||||
<span class="quote speech">Holy shit! How are you not absolutely
|
||||
terrified by this?</span><br />
|
||||
a momenr. Eventually, even though she is really too big for that, he
|
||||
takes her on his lap so she can look outside.<br />
|
||||
As he looks back up, he says: <span class="quote speech">Holy shit!
|
||||
How are you not absolutely terrified by this?</span><br />
|
||||
Michelle responds: <span class="quote speech">You get used to it... Also,
|
||||
I know very well what I can or can't do with this car –
|
||||
I used to drive the same back then.</span><br />
|
||||
He holds onto the handle in the door with one hand while trying to hold
|
||||
Dora with the other.<br />
|
||||
Michelle glances over at him and adds: <span class="quote speech">Relax,
|
||||
that seat belt is gonna hold you, you gotta hold Dora.</span>
|
||||
I used to drive the same back then.</span>
|
||||
She glances over at him and adds: <span class="quote speech">Relax, that
|
||||
seat belt is gonna hold you.</span>
|
||||
</p>
|
||||
<p>
|
||||
The ruins of the city outskirts fly by. Within a few minutes, they make
|
||||
|
|
@ -52,12 +49,12 @@
|
|||
– a small group of buildings in the distance.
|
||||
As they get closer, the buildings take distinct shapes. Two of them
|
||||
stand out: The one in the center holds a large geodesic dome and another
|
||||
one, off to the side behind it, is a smooth round dome with a slot cut out
|
||||
one off to the side behind it is a smooth round dome with a slot cut out
|
||||
of it for a telescope to peek through. Well, it <i>was</i> smooth at one
|
||||
point – now, it has many holes with a tree growing out of the
|
||||
largest one. The geodesic dome is partially covered in vegetation hanging
|
||||
off its outside but looks otherwise intact. The other buildings look like
|
||||
mostly unremarkable ruins in various stages of decay.
|
||||
largest one. The geodesic dome is partially covered in ivy vines but
|
||||
looks otherwise intact. The other buildings look like mostly unremarkable
|
||||
ruins in various stages of decay.
|
||||
</p>
|
||||
<p>
|
||||
Michelle says:<br />
|
||||
|
|
@ -67,22 +64,15 @@
|
|||
<span class="quote speech">Aww, what a let-down. Still gonna look for
|
||||
pictures there... Didn't you say you also need a telescope?</span>
|
||||
<br />
|
||||
<span class="quote speech">There are two telescopes here: That one
|
||||
back there is the optical one, and that ball of triangles in the middle
|
||||
holds a radio telescope. That's essentially just a really big
|
||||
antenna.</span>
|
||||
<span class="quote speech">There are two telescopes here: The optical one
|
||||
back there and the radio telescope in that ball of triangles in the
|
||||
middle there. That's essentially just a really big antenna.</span>
|
||||
<br />
|
||||
<span class="quote speech">An antenna but you call it a telescope?</span>
|
||||
<br />
|
||||
<span class="quote speech">It works similarly, just for imaging a much
|
||||
lower part of the electromagnetic spectrum. Stars give off a bunch more
|
||||
than just visible light.</span><br />
|
||||
<!-- ChatGPT feedback (paraphrased):
|
||||
This sounds a little “author explaining astronomy” rather than
|
||||
Michelle naturally speaking.
|
||||
|
||||
I just cba to rewrite it at this moment.
|
||||
-->
|
||||
<span class="quote speech">I have no idea what you just said but can we
|
||||
try that one?</span><br />
|
||||
<span class="quote speech">A lot of things would have to go right for
|
||||
|
|
@ -90,7 +80,7 @@
|
|||
</p>
|
||||
<p>
|
||||
She drives through what remains of an open gate, onto a large,
|
||||
overgrown paved area in between the buildings, going around
|
||||
overgrown paved area inbetween the buildings, going around
|
||||
the radio telescope and parking the truck between it and the optical
|
||||
one. They get out and look around. Trees and bushes grow all over
|
||||
the place, some even out of the buildings' walls. Dora runs up
|
||||
|
|
@ -106,25 +96,21 @@
|
|||
contents are rotting sheets of paper holding documents and logs.
|
||||
Annie finds a folder with photos that are partially stuck together.
|
||||
The ones in the front depicting the outside of the observatory but
|
||||
at least one shows a nebula.<br />
|
||||
there is at least one depicting a nebula.<br />
|
||||
<span class="quote speech">James, look what I found.</span><br />
|
||||
<span class="quote speech">Oooh thanks!</span><br />
|
||||
He takes it and puts it into a bag.
|
||||
<span class="comment">he quickly looks at it, then puts it away</span>
|
||||
</p>
|
||||
<p>
|
||||
Meanwhile, Jack has found a way upstairs. The stairs have partially
|
||||
Meanwhile, Jack has found a way upstairs. The staircase has partially
|
||||
collapsed so he drags one of the filing cabinets in their place and
|
||||
climbs to the next floor.<br />
|
||||
<span class="comment">Jack callout</span><br />
|
||||
<span class="quote speech"></span>
|
||||
</p>
|
||||
<p class="comment">
|
||||
Potential plot hole: Why is the telescope inside a geodesic dome?
|
||||
<br />
|
||||
Missing: exploring the rest of the optical telescope, not wasting too much
|
||||
time there
|
||||
<br />
|
||||
Missing: exploring the other telescope
|
||||
Plot hole: why geodesic dome?
|
||||
They start exploring in the optical telescope building - not wasting
|
||||
too much time there. Then, they go into the radome.
|
||||
</p>
|
||||
|
||||
<p class="copyright">Copyright © 2023-2026 Jan Danielzick (aka. BodgeMaster) – All rights reserved.</p><script>let spans=["<span class=\"paper green\">","<span>"];let pre_texts=document.getElementsByTagName("pre");for(let i=0;i<pre_texts.length;i++){if(pre_texts[i].className!="paper")continue;let lines=pre_texts[i].innerHTML.split("\n");let result="";for(let j=0;j<lines.length;j++){if(lines[j].length>=80)result=result+spans[j%2]+lines[j]+"</span>\n";else result=result+spans[j%2]+lines[j]+" ".repeat(80-lines[j].length)+"</span>\n";}pre_texts[i].innerHTML=result;}fetch("./chapters.json").then(function(result){return result.json();}).then(function(json){let chapters=json.pages;for(let i=0;i<chapters.length;i++){if(chapters[i]===document.URL.replace(/^.*\//,"./")){let prevdiv=document.createElement("div");prevdiv.className="prev";if(i>0){prevdiv.innerHTML="<a href=\""+chapters[i-1]+"\">◃</a>";}else{prevdiv.innerHTML="<p>◃</p>";}document.body.appendChild(prevdiv);let nextdiv=document.createElement("div");nextdiv.className="next";if(i<chapters.length-1){nextdiv.innerHTML="<a href=\""+chapters[i+1]+"\">▹</a>";}else{nextdiv.innerHTML="<p>▹</p>";}document.body.appendChild(nextdiv);}}});</script></body></html>
|
||||
|
|
|
|||
|
|
@ -3,17 +3,18 @@
|
|||
<h1><Emily wake up again></h1>
|
||||
<!-- perspective: Emily -->
|
||||
<p>
|
||||
Emily wakes up in her bed, lying on her side. Lena is sitting on the
|
||||
Emily wakes up in her bed, laying on her side. Lena is sitting on the
|
||||
floor in front of her, leaning against the window, with her arms over
|
||||
her knees and her head resting on them. She looks very pale. A few
|
||||
thoughts flash through Emily's mind in quick succession:
|
||||
<span class="quote non-speech">asleep or dead — she moved a tiny
|
||||
bit, she's breathing — asleep, phew.</span><br />
|
||||
Emily moves into a more comfortable position. Lena jolts awake
|
||||
and lifts her head, looking disoriented for a moment.<br />
|
||||
Emily moves into a more comfortable position. Lena
|
||||
<span class="comment">zuckt zusammen</span> and lifts her head, looking
|
||||
disoriented for a moment.<br />
|
||||
She says in a weak voice: <span class="quote speech">So you will
|
||||
live.</span><br />
|
||||
Emily moves her blanket aside and sits up.<br />
|
||||
Emily sits up.<br />
|
||||
<span class="quote speech">How long has it been?</span><br />
|
||||
<span class="quote speech">About three days.</span><br />
|
||||
<span class="quote speech">Have you slept at all?</span><br />
|
||||
|
|
|
|||
|
|
@ -39,8 +39,8 @@
|
|||
a bunch of things in here that aren't true.</span><br />
|
||||
<span class="quote speech">Take it or leave it.</span><br />
|
||||
<span class="quote speech">What are you getting out of this?</span><br />
|
||||
<span class="quote speech">People like you cause too much trouble.
|
||||
The less of that, the better.</span><br />
|
||||
<span class="quote speech">We don't want people like you here.
|
||||
You cause too much trouble.</span><br />
|
||||
<span class="quote speech">What will happen if I sign this?</span><br />
|
||||
<span class="quote speech">You will be removed from Sunside Cove.</span>
|
||||
<br />
|
||||
|
|
@ -52,9 +52,8 @@
|
|||
You will join them and not return.</span><br />
|
||||
She looks back at the pages.<br />
|
||||
<span class="quote speech">... Okay...</span><br />
|
||||
The other pages are some half-filled-out forms. She is given a pen and
|
||||
The other pages are some half filled-out forms. She is given a pen and
|
||||
told to fill in the rest.
|
||||
<!-- more character introspection needed? -->
|
||||
</p>
|
||||
<p>
|
||||
Not much later, she finds herself at trial. As laid out in the paperwork,
|
||||
|
|
@ -65,7 +64,7 @@
|
|||
Isabelle is taken to a cell with no bed or toilet, just a bench.
|
||||
She sits down and waits. The guard leaves and the hallway gets quiet.
|
||||
The only thing she hears is the hum of the flourescent lights.
|
||||
She waits. And waits some more. Time passes.
|
||||
She waits some more. Time passes.
|
||||
</p>
|
||||
<p>
|
||||
The lights go out. Relays click in the hallway. She tries to look
|
||||
|
|
@ -89,7 +88,7 @@
|
|||
run off to. Now go.</span><br />
|
||||
She gets up and does as she is told. The diffuse light reflecting off
|
||||
the floor and the walls lets her barely see her surroundings. Another
|
||||
guard appears in the door at the end of the hallway, holding
|
||||
gaurd appears in the door at the end of the hallway, holding
|
||||
a flashlight as well.
|
||||
</p>
|
||||
<p>
|
||||
|
|
|
|||
|
|
@ -34,16 +34,10 @@
|
|||
platform roughly taking up a third of the ravine's width. One side is
|
||||
connected to the rock face, the other side ends in a vertical edge that
|
||||
goes down to the outflow of the power plant. A very rusty railing
|
||||
lines that side, though it looks like it might fall apart if you look
|
||||
at it wrong. The entire platform is flooded by water rushing out of a broken
|
||||
door in the rock face. It spreads out over the platform, and flows off the
|
||||
edge.<br />
|
||||
<!--
|
||||
asked ChatGPT for vocabulary help, its suggestions:
|
||||
- stands atop
|
||||
- spans roughly a third of
|
||||
- sheer drop / vertical drop
|
||||
-->
|
||||
<span class="comment">begrenzt</span> that side, though it looks like
|
||||
it might fall apart if you look at it wrong. The entire platform is
|
||||
flooded by water rushing out of a broken door in the rock face.
|
||||
It spreads out over the platform, and flows off the edge.<br />
|
||||
Michelle says to Jack: <span class="quote speech">I don't think
|
||||
we'll get in this way.</span><br />
|
||||
<span class="quote speech">Got another idea?</span><br />
|
||||
|
|
@ -53,15 +47,17 @@
|
|||
<span class="quote speech">We just need to get past the door, the water
|
||||
inside will be moving a lot slower.</span><br />
|
||||
Michelle and Annie decide to stay back, Jack and James approach the door
|
||||
from the side. The two lift a large rock off the ground and – with
|
||||
considerable effort – toss it right in front of the door. It starts
|
||||
rolling immediately and, within seconds, tumbles over the edge.<br />
|
||||
from the side. The two pick up a large rock and throw
|
||||
<span class="comment">huck?</span>
|
||||
it right in
|
||||
front of the door. It starts rolling immediately and, within seconds,
|
||||
tumbles off the edge.<br />
|
||||
Jack calls out to the girls:
|
||||
<span class="quote speech">Looks like you were right.</span><br />
|
||||
Michelle asks: <span class="quote speech">Can you say that again?</span>
|
||||
<br />
|
||||
He says <span class="quote speech">no</span>, failing to
|
||||
suppress a grin.<br />
|
||||
suppress a smile.<br />
|
||||
James notices an access hatch a few meters up on the other side of
|
||||
the door.<br />
|
||||
<span class="quote speech">Look, up there, that thing seems
|
||||
|
|
@ -71,8 +67,8 @@
|
|||
The guys back away from the door and make their way over to the railing
|
||||
at the edge of the platform. From there, they try to wade to the other
|
||||
side. James goes ahead, taking a few cautious steps forward before the
|
||||
current gets too strong. He attempts to hold on to the desolate railing.
|
||||
It breaks instantly, leaving him with a roughly 20 centimeter long
|
||||
current gets too strong. He attempts to hold on to the desolate railing
|
||||
It breaks instantly, leaving hime with a roughly 20 centimeter long
|
||||
piece of rust in his hand. Jack pulls him back from the strongest part
|
||||
of the current.<br />
|
||||
<span class="quote speech">Welp, I guess that's that. Not gonna
|
||||
|
|
@ -80,7 +76,7 @@
|
|||
They return to the girls and they all decide to head back up.
|
||||
</p>
|
||||
<p class="comment">
|
||||
Missing section
|
||||
Missing paragraph
|
||||
</p>
|
||||
<p>
|
||||
Jack turns the key and the gate starts to move up, scrathcing and
|
||||
|
|
|
|||
|
|
@ -13,16 +13,17 @@
|
|||
<p>
|
||||
3 – 5 – 2 – 1 – Enter. The keypad beeps with
|
||||
every button press. A computer voice announces
|
||||
<span class="quote speech">Access authorized</span> and the door
|
||||
slides up. She steps through into the main control center. The module
|
||||
contains one large room with rows of integrated equipment desks arranged
|
||||
in a crescent, curving to the right. Most of the seats face towards
|
||||
the center, allowing a view of the biotope through a huge panorama window
|
||||
to the left that is taking up the entirety of the wall. The biotope is
|
||||
an even larger module with a ceiling of glass and support beams,
|
||||
completely filled with plant life, trees, small critters, and a big pond.
|
||||
The remaining walls hold large status panels with seven-segment displays
|
||||
and lots of big status indicator symbols.
|
||||
<span class="quote speech">Access authorized</span> and the door slides
|
||||
up. She steps through into the main control center. The module contains
|
||||
one large room with rows of integrated computer equipment desks arranged
|
||||
in a <span class="comment">Mondsichel</span> shape with the
|
||||
<span class="comment">Wölbung</span> to the left. Most of the seats
|
||||
are facing that way, allowing a view of the biotope through a huge
|
||||
panorama window taking up the entire wall. The biotope is an even larger
|
||||
module with a ceiling of glass and support beams, completely filled with
|
||||
plant life, trees, small critters, and a big pond. The walls across from
|
||||
her and to the right hold large status panels with some seven-segment
|
||||
displays for information and lots of big status indicator symbols.
|
||||
</p>
|
||||
<p>
|
||||
Emily walks down the shallow stairs towards the panorama window. In
|
||||
|
|
|
|||
Loading…
Reference in New Issue